Eco-Learning Literacy and Art

 At the Literacy Research Association meeting in Arizona, I attended a session on Climate Justice (ecology and literacy). A few weeks later, I am spending time with colleagues Kimberley D'Adamo and Laurie Rich, imagining how we can support educators in fostering processing climate learning through art making. the most visible part of the work is the website Art/Act: Educate. This website includes a collection of artists creating environmental art that is attentive to both local conditions and the overall ecological challenge.

One such artist is the indefatigable Leah Wilson, whose amazing work spans many visual approaches and ecosystems.  We are dreaming of supporting educators (in the broadest sense possible) interested in developing art projects addressing environmental concerns and celebrations. Our goal is to increase environmental awareness and give rise to two generations. The first is a generation of educators who help students process the challenge productively and innovatively. The second is creating a generation of youth better equipped to face environmental concerns through art and a deeper understanding of science and the human impact of the challenge we face as a species.

Why Silent Reading Rates and Stamina are More Important than Ever!

Freddy Hiebert currently of TextProject, Emily Hayden of Iowa State and I recently published an empirical paper about patterns of silent reading. This is the work we have been pursuing for quite a while. Studies of silent reading in the context of reading development is a crucial element in expanding our understanding of reading in the context of new literacies. Reading in the 21st century is quickly becoming a substantially different task than before- a task that, as educators and researchers, we need to explore. The reading task in the age of new literacies combines much of the old skills (e.g. decoding, word knowledge, fluency)  with newer challenges emerging from distractions, nonlinear texts, and the richness of multimodal texts.

I believe that one of the least understood elements of reading in the 21st century is persistence. This is inherently a different challenge than it was as little as twenty years ago. Modern readers seem to be almost assaulted by distractions and behaviors that challenge their attention to a continuous text. At the same time, comprehension of complex texts can emerge only from sustained close reading. In this, I go back to the notion of motivation as the ability to sustain attention to a specific task- reading.

The results of the study show that many students do not persist in reading even when they comprehend well. At the same time, it is clear that students that do persist in reading with comprehension adjust their reading rate after one text section and then slowly increase their reading rate. These patterns show the benefits of persistence and highlight the challenges of distraction. If students are distracted they will attempt each piece of the text as if new, unable to use the feedback from the previous section to adjust their reading rate to ensure comprehension. It is very likely that such behaviors make reading considerably less efficient and thus increase the odds that readers will not persist reading longer texts with comprehension.

I believe we have two challenges, the first is to research reading in modern contexts and the second to develop a framework for instructing silent reading with persistence and comprehension. From our conclusion:

"...we believe that the most pressing issue within reading instruction at present pertains to instructional tasks and interventions that support silent reading proficiency. One of the few projects on supporting silent reading within classroom settings in the archival literature is that of Reutzel, Fawson, and Smith (2008). This study, conducted with third graders, showed that a treatment of silent reading produced similar results on assessments of ORF as oral reading practice... To date, we have been unable to find a framework for designing tier-one, classroom instruction that begins in the early grades and ensures that students develop strong patterns of silent reading. If we are to prepare students for the tasks of the twenty-first century, such frameworks for instruction are urgently needed." (Hayden, Hiebert, & Trainin, 2019)

The Challenge of Aurality/Orality

I am an avid podcast listener. I listen to fiction podcasts such as Fictional, the Moth. I listen to a whole host of non-fiction podcasts including the History of Byzantium, History of Rome and Tides of History among others. At the same time I see the rise of Audible and Amazon audible books.

I love spoken audio. I actually prefer it to music most of the time. What I cannot figure out yet is what that means for literacy. Literacy development has been determined by print, its limitations and power. Storytelling from memory was replaced by reading from the page (still out loud) to finally being replaced by silent reading and prolific writing. Radio brought back listening to stories and reports. The rise of the internet has made all of us potential authors. Now the ability to deliver audio has opened a new opening for orality.

The question that I would like to pose is how will the proliferation of orality impact literacy and by extension schools. Do we need to teach more listening skills? How do we add oral creation to our composition classes?

One area to use as a bridge is poetry. Poetry even when written, always pushes toward the performative, the audible. Poetry out loud, spoken word competitions, and raps can help see orality and text as part of the same yarn.

That said I am still wondering about the relative value of orally consumed text. Does it stick in memory as well? What strategies help comprehension and recall? No answers, mostly questions.

Why is Teaching New Literacies Important

The NAEP results came out this week. They did no show much improvement in closing the gaps. In fact, there is now growing public discussion about the ways high stakes assessments may be preventing us from minding the gap by focusing all of our attention on the artifacts of assessments that are increasingly drifting away from real world application.

As part of the discussion Don Leu the director of the New Literacies Research Lab reminded us that the gap is much bigger for new literacies (as measured by the ORCA). The impact of such gap- the new digital divide is the key reason to use technology and teach students to use it effectively. What Leu's research shows is that some students get a lot of support for these kinds of activities at home and some schools. At the same time, other students from lower SES and minority status are getting much less opportunity to develop skills such as searching effectively, sorting and synthesizing.

As a result, teaching students about technology and literacy in digital environments should be part of the core skills that all students learn. Technology is not just a tool to achieve learning in other domain. Instead, if we truly want a more level playing field all students must learn to use web-based tools for learning.

This is a moral imperative!

Starting a new year

My students showed up to class. 

Smiling, 

energetic, 

purposeful. 

Most with bags full of stuff. Less than third had devices (other than phones) out. Ready to learn, even this generation is not digital first, most are composing on paper first. I wonder if this is a permanent difference or whether with devices early in schooling? Is it going to disappear, like cursive or shorthand? I am digital first but is there a way to enable both technologies in our classrooms? Is it wise?

A few days later they are here with devices creating, sharing and using a fantastic array of apps. They are still taking notes on paper. The variety of media is empowering. A new semester is off to a good start.

Five ways to help students find the Sweet Read

Today is Read across America day. This morning I watched my son Oren (11) read right after he got up. He is rereading for the ??th time the Percy Jackson series. It made me think about a book or a series of books that becomes a second home to readers- a Sweet Read. It is about the power of returning to a favorite book where the charaters are like old friends that you have known for many years.

When I was Oren's age I had Asimov's Foundation series and later Lord of the Rings. For Erez (now 20) it was Harry Potter, Asaf (now 18) had David Edding's Belgariad. Even as adults I find that Sarah and I are returning to favorites and redefining what is our literary home.

This is an experiece I would like all students to have- a sweet read- that is yours. Here are a few completely unoriginal ideas to help students find the Sweet Read:

1. Read outloud to them. Reading outloud connects readers and listeners to the books in a way that helps new and struggling readers reimagine what the reading experience should be.
2. Provide choice. I learned the hard way that what you love and find a home in does not necessarily mean that others will as well. We all must figure it out for ourselves.
3. Do not judge. The Box Car Children can as much of a literary home as Boewolf. It is after all about comfort and joy.
4. Share you experiences. Share your passion for books, not so they can read the same books, but so they can feel the emotion and excitement in your voice.
5. Library often. (shouldn't library be a verb?)

Full disclosure: In the last five years or so my Sweet Reads are A Hundred Years of Solitude and Bitchfest.

Telling Stories

This week we held our annual iPads in the Classroom workshop. Laurie and I used last year's work as a foundation but added many new components. Most importantly like many other iPad academies around the nation we kept things open and let our learners guide much of the work. It is very interesting to start the week by asking everyone to set their own goals. In interesting ways we got a lot of "what do you want us to do" during the first two days. Then everyone settled into the routine and expectations and did an outstanding job learning and extending.

You can take a peek at the work we all did here.

The week of working with teachers has reinforced the ideas that have been guiding my work in the last year. Mobile devices are the perfect tool to enhance identity and literacy through shared story telling. We envision families recording oral histories, creating in vivo memories, and composing personally relevant texts. Using the affordance of the digital device itself and specific apps within it can create rich personal tapestries with fairly low user knowledge.

We now have a chance to try it out in Nebraska and perhaps within the year in a parallel project in China. I am excited!

EdTech and Gender in 4 Scenes

This post started out as a post about getting large systems to move forward with EdTech and notions of frontier. The more I thought about it the more my examples seemed to be about gender roles as much as about technology. I think this much less true in higher ed than k12 but still. You may disagree, even then the post might illuminate something.

1. All of my students have tablets (it is a requirement) and most have an iPad or iPad mini. In a conversation one of my students confided that her dad hates the iPad. I smiled and said: "let me guess, he loves tinkering and hates the fact that you do not need him to conduct maintenance and problem solve your computer problems." She paused, thought about it and admitted: "yep that's pretty much it".

2. In a work with a specific district the school technology guy refused to get iPads for the teachers. He was an old army guy (I can relate) used to the age where we could fix anything with pliers, a screwdriver and a few components he rebelled against the blackbox. His main defense was "how will we change the batteries once they start running out?" Once again it was an issue of control of a male "techie" over mostly female staff. By the way there was a lot less patronizing over the high school staff in the same school with many more male teachers.

3. Two weeks back I was in Western Nebraska participating in the ESU 13 MidWinter Conference. We had two great sessions with teachers (60 in one session and over 100 in the second). A few kindergarten teachers complained that they have yet to receive the iPads because the technology person at the district will not release the iPads until they take a class and a test. They were frustrated as was I. I've seen 3 year olds and cats manage the iPad effectively- a course?

4. A large district I work with bought i devices, but gave the elementary teachers (predominantly women) sets of predefined apps and no passwords. The devices were updated 1-2 times a year. Again, the same women we trust with 16-30 of our children (a woman's role) cannot be trusted with technology and access to a password or just the freedom to create their own.

Each one of these scenes on its own is just a tiny sliver of reality but taken together we start seeing a whole picture. I am not "blaming" anyone I just think that we have persisted with stereotypes and attitudes that go unexamined. Why do teachers need to pass a "test" or a "cours" to use a device meant to be used out of the box? Mainly because we want to "protect" the womenfolk from their own foley. Some of it is based on previous experience. Elementary teachers (again mostly but not exclusively women) disliked using computers that required constant tinkering and time wasting on just getting things to work. They needed machines that worked and for that they needed techies (mostly menfolk). Now with new devices that do not require support it is the techies that resist because these new devices make their role as gate keepers and winners of admiration less somehow.

Because as we all know the role of the tech experts is actually much greater than ever, security, network, wireless and privacy are all necessary, crucial to the operation of any school system. But that puts the techies away from the teacher and her gratitude. Teachers as a result developed a dislike of technology and its many obstacles. How many passwords will you try before you give up on that Youtube video?

Technology in it's modern transparency is part of literacy. Devices let us express ourselves and experience others in a multitude of ways that are crucial for raising this next generation- remembering that the kindergarteners of today will graduate college (or the open-badge factory) in 2030. As a result we cannot heap obstacles in their way we should be opening doors to seamless technologies and let everyone- EVERYONE- play.

Standards and Integration

Last week I participated in the first phase of Reading/ Language Arts standards writing organized by the Nebraska department of education organized by the very capable Tricia Parker-Siemers. Our charge was to consult with existing standards and rewrite them with an eye to the changes in our understanding of literacy. The changes we suggested (the process is long and we were merely the first stop) focused on the significant changes to the ways we understand literacy, primarily because of technology. We crafted the new standards to have an expanded notion of what counts as a text and aspects unique to online reading and writing. For example in Reading Fluency we added the notion of persistence and focus in online reading. This integrated approach seems o make sense at this point in time as a signal to teachers that they cannot separate technology integration from everyday classroom practice. The idea of "computers specials" once a week cannot help our students meet the standards necessary for them to be ready for college and work.

That being said I am also keenly aware that changing of standards is rarely correlated with a change in the ways teachers teach and even less with student achievement. So what is the hope? Why did I take two days out of my professional life to spend trying to re-craft a set of standards that may matter very little?

I believe that we can send a message and provide support for teachers that are working in the right direction. In the work on Tech EDGE Laurie and I have often invoked the multiple literacy standards as a way to justify and base our work with teachers across the state.

The danger of the integrated standards is that they can disappear into the background. When the standards were all together they had a "presence" that cannot be denied. I worry that when they are part of wider constructs (e.g. comprehension) they might only get a nominal mention and much would happen. On a second thought this is already happening in many classrooms anyway...

What I really hope is that the Nebraska State assessment will use these new standards to make better items and test environment that includes multiple literacies in wise and creative ways. Yes, I used state assessment, creative and wise in the same sentence; a man can dream, can't he?
If they follow in the footsteps of the work Don Leu and his colleagues have done we may have some interesting things in our future.

The Bridge, Layering Information and Redefining Literacy

The Bridge is a new FX TV show that I picked up on demand recently. The topic of a thriller around the border crossing between the US and Mexico seemed like an intriguing opportunity to examine how pop culture is viewing the issues.

While I found the series thoroughly enjoyable I was even more intrigued by their effort to integrate media. The website for the show includes everything in both English and Spanish just like the show itself alternates between English and Spanish as appropriate for a scene.

In addition the series created a free iBook that provides additional textual and photographic layer. I think that this aspect of the show is very interesting for educators trying to create content that is interesting, integrated, and meaningful. The way I think about it is purposeful layering of information in different information without guiding the conclusion. For example the series shows many facets of immigration and the people who are impacted by it but it does not come at it from an obvious pro or con stance. The book just thickens that layer and allows those who are interested to explore further.


In a way the show is a good example to how popular culture and the entertainment industry are seeing as the next step and I see as a redefining of literacy. Literacy is no longer primarily reading and wring on paper but instead a multimedia weave of forms and content- including visual, audio, video, word, and social. It is as interactive and social as we'd like to make it. The layering allows each person to choose an entry point and explore in different directions.

Current and Future Teachers Reflecting on iPad Use

We have used iPads in the Reading Center all summer. I decided to include unedited comments of some of my students who agreed to share the comments.

         Using the iPad during class helped me become more comfortable with technology. I have never used technology in the school setting before. It also helped me know what was available as far as apps and how wonderful they can be in assisting with learning. I won't have an iPad available for use next year, but I am seriously considering buying one. I think it is a wonderful way to enhance classroom learning and get kids ready for the future. I particularly liked the iCard Sort and eBook Magic apps for what I do now. I can see how Show Me would be a great way to present lessons as well.

        The iPads were a huge help during this session. Not only did it give variety, but it helped motivate my student to learn.  I don't think he writing would have come as far if we hadn't been able to publish his work.  He was so proud that it was a book that he wanted to keep writing.  He even decided to write a chapter book and as a second grader, that's big.  I was able to use the iPad for things we could have done on paper, but worked better using technology.  Sam was more engaged when we used the iPad than when we worked with a pencil and paper.  I would definitely keep using the iPads for this class.

          I would use them to record important lessons in case kids are gone or if I'm gone.  You always have to review and if you can give the iPad to a child or a group of children and have them review or learn what they didn't before, that can save you time.  Then, you can go back and talk with them about what they heard and saw.  I would use the internet to show kids how we could research topics.  I would use the eBook Magic app to publish their work and encourage more writing.  I would also use the iPad for revisions.  The kids could type up what they have and correct it, saving paper, while still having the drafts available.  I didn't have a ton of apps on my iPad, but I would also ask my colleagues what apps they have found helpful and use them as much as is educational in my class. 

The iPads used during my teaching was such a great experience! It has allowed me to learn how to apply it in a classroom setting and how to select appropriate Apps for my students. This was one of the highlights for me during this summer session. I wasn't familiar with the iPad prior to this class, even though I had it in another class. Now I am going to purchase one because I realize that this is going to be a necessity for me in my instruction  for my classroom. 

           If iPads and other technologies are available at my school, I will come back to the learning center to ask for help if I do not understand how to use it. I find that this is something I desire to learn and apply to my teaching strategy. Students can be learning the same thing on different levels with iPads. I find that I am able to gain access to resources and students need this as we are entering into one of the most exciting times in education with technology. I am excited to see how technology is going to change the learning experience for classrooms. It want to participate in this process. I will use the iPad for assessments, work stations, connecting community and classroom,  grading, homework, creating lessons and anything that will cause my students to learn. 

           The iPads were such a great thing to get to use. I had never used one in any other class and so it was a learning experience for me as well. It helped with all of my lessons because he would get tired of writing a story and so we would create one in puppet pals or in ebook magic. He was still having to come up with the ideas, it was just more interactive this way. Also brain breaks were so easy to do with an iPad because the games were right there and they were educational.

          If iPads and other technologies are available at your school, how do you anticipate using them?
I really like the educreations app. I would use that to create my lesson plans and if students weren't sure on what they learned, they could go back and watch/listen to it again. It's also a great way to make the class interactive. Having that in the palm of  your hand and can look up anything at any time is beneficial overall. Students can create documents and share them, students can check in/out, and it's just a really great resource to have.

          The iPad has been extremely useful in the tutoring session and allowed e to really explore the possibilities and have practical applications for them.

If there is iPad use in the school I will be in I will be extremely excited because it allows me to teach students and give them a more immersive experience. Allowing them to have more connectivity and having more feedback right away to help me as a teacher design my lessons to help my students more.

          I think the ipads helped me learn more about using technology in the educational field. With the way society is today, by the time I become a teacher, every school could possibly have ipads and technology like Ipads. So, having the training with ipads is really beneficial as I will have a boost ahead of someone who does not have the training. I anticipate using ipads by using them as a motivator and literacy stations. Using an activity that is fun yet educational at the same time, makes learning fun for students. 

Couldn't haver said it better myself...

Home Literacy Environment in the Digital Age

Recently I have been working on home literacy environment and came across the Home Literacy Environment Questionnaire (HLEQ) by Griffin and Morrison. The measure was designed in 1997 and addresses paper based print only. In only 15 years the measure has become less and less relevant.
This brought me back to an observation that Berliner, perhaps my favorite educational thinker, made in an Educational Researcher piece. His claim was that some social research is very time dependent and has an "expiration date" [my phrase].

The rapid changes in what it means to be literate and the ways literacy plays out in a media rich digital world have made a large variety of research and practice tools irrelevant. Surveys and interviews that are paper centric in reading and writing miss whole potential worlds of engagement that exist parallel to the print world. In today's world access to magazines newspapers and libraries is paralleled to websites, applications and online newsstands.

It also means that publications cycles for research must be shorter if they explore new tools. These tools need to be comprised of modular pieces that can be removed when they become irrelevant and added to as new technologies become relevant.

Some examples can include: Adding to "How many hours of TV watching does your child do daily?"
"how many hours does your child play video games?" "How many hours does your child spend online?"
In addition to "how many books do you have at home?" We could add- How often do you use e-readers/ tablets to access magazines or books?"

I am working on such an instrument right now and will report some results soon!

Technology, Art, and Social Justice- The Face of Integration

Photo from Akhila's Blog

I usually focus of the problems of integration teacher quality etc. But at the heart of what we do as educators we should always ask ourselves- who are we leaving behind? This is especially important in the digital age. Our ability to focus on channels, devices, and technologies can obscure the fact that not everyone has critical access to technology, media, and the arts. Not seeing our audience obscures the fact that it is too often just like us!

I am using the term critical access in the same way the Bob Calfee used critical literacy two decades ago. The idea is that physical access to devices and networks is not enough. Instead we have to think about ways to encourage the development of media skills and the participation that comes with them.
The ever present focus on "basic skills" for all students (see world literacy summit video) practically guarantee that both nationally and internationally students who are behind will find themselves progressively lagging. What are we doing to make sure that all students are getting critical access to technology? That they have the skills to engage with media? I believe that the solution is making sure that all schools provide critical access and that we do not assume that students, just because they were born in what we think of as the digital age, posses critical access to technology, media, and the arts. 


My cousin Amit Trainin is an illustrator, graphic designer and currently the head of the visual Arts Dept. at Minshar Art School. Seeing the recent graduate exhibition strengthened in me the notion that arts, media and technology are intertwined and are at the very core of our everyday life. People can choose to live outside the digital, artistic world but they can do so only if they first have critical access that allows them to make such a choice.

So when I focus on technology and the arts I put an emphasis on access, not just to the physical (though it is necessary) but also the skills that lead to Critical Access. As teachers it is what we all must do!

Creativity, Literacy and Gaming: An Anecdote about Little Big Planet

My six years old son has been asking me to help him spell lately. "Dad" he shouts from the general vicinity of the TV "how do you spell test? Oh I got it". After a few questions I was curious so I came to see what he was doing (the yelling back and forth was getting less fun). I see Itai perched on the couch in front of the tv manipulating characters and obstacles as he is creating a level in the game LittleBigPlanet. He was integrating writing, his knowledge of games, and design decisions to create a game level. As I was expressing my wonderment about his creativity Asaf who is 16 turned to me and said. "He has been doing it for months!". "I knew he playing" I said "but has he published them online?" "Yes", was the answer, "he made about a hundred, but he can publish only 20".

My thought is something like this: while we argue about how much technology and how should be part of our children's educational experience they are actually moving ahead. But only if we give them great tools to work with: Lego, iPads, LittleBigPlanet, all commercial ideas yet all outstanding educational tools. With some guidance children of this generation can become the most imaginative generation the world has ever seen- combining powerful tools, experimenting and social dimensions. Piaget talked about the child as a scientist learning about the physical world about her. Now after the physical world they can start exploring virtual worlds of possibilities- expanding the potential for development.
This somehow made me hopeful.
Trailer About LittleBigPlanet Publishing

World Literacy Summit

I am spending a few days in Trinity College in Oxford as part of the World Literacy Summit. We are also trying to create a declaration going forward www.oxforddeclarartion.org.
What has gotten me thinking is the feeling that we are talking about old literacies and we are neglecting new literacies that will really provide a leg up in development.
My question is somewhat neo-marxist in its tone but important to contemplate. Are efforts in the developing world to extend old literacies foundational to integrating them into the 21st century OR are we setting them up to be a century behind so they can stay our industrial periphery while we reap the befits of the information age and knowledge economy?
The best answer I heard was this morning with a focus on adult literacy with Friere's work using the REFLECT process as presented by David Archer from ActionAID International. Let the participants define the parameters of literacy instruction as you help problematize their goals and foster discussion.

I just wonder how much of this work is filtering down to the larger development projects and their evaluation efforts is the true challenge.

Location:Trinity College,Oxford,United Kingdom

AERA is Approaching

So I thought I would pick some of the sessions related to arts integration that looked interesting to me.
Hope to see y'all there.



1. Artful and Creative Processes as Modes for Teaching and Learning

	Unit: SIG-Arts and Learning
	Session Submission type: Paper Session
	Time: Sat, May 1 - 4:05pm - 6:05pm Place: Colorado Convention Center, Room 707

2. Arts and Learning: Activism, Transitions, and Integrations

	Unit: SIG-Arts and Learning
	Session Submission type: Roundtable Session
	Time: Mon, May 3 - 10:35am - 12:05pm Place: Colorado Convention Center, Room 109, 111, 113

3. Arts as Innovation for Reforming Practice

	Unit: SIG-Arts and Learning
	Session Submission type: Paper Session
	Time: Sun, May 2 - 2:15pm - 3:45pm Place: Colorado Convention Center, Room 707

4. Arts, Learning, and Community: Developing Practices and Discovering Identities

	Unit: SIG-Arts and Learning
	Session Submission type: Paper Session
	Time: Sat, May 1 - 12:25pm - 1:55pm Place: Colorado Convention Center, Room 711

5. Creating Across Languages: The Arts Benefit to English-Language Learners and Second-Language Learning

	Unit: SIG-Bilingual Education Research
	Session Submission type: Symposium
	Time: Sat, May 1 - 4:05pm - 5:35pm Place: Colorado Convention Center, Room 606
	Descriptors: English Learner, Arts Education, ESL/ENL

6. Critical Literacy and Expression in Early Childhood Education

	Unit: SIG-Critical Perspectives on Early Childhood Education
	Session Submission type: Roundtable Session
	Time: Tue, May 4 - 12:25pm - 1:55pm Place: Colorado Convention Center, Korbel Ballroom 2

7. Diverse Pathways to Literacy Development

	Unit: Division G - Social Context of Education
	Sub Unit: Section 1: Local Contexts of Teaching and Learning
	Session Submission type: Roundtable Session
	Time: Sun, May 2 - 10:35am - 12:05pm Place: Colorado Convention Center, Korbel Ballroom 2

8. Impact of Arts Integration on Content-Area Learning

	Unit: SIG-Arts and Learning
	Session Submission type: Roundtable Session
	Time: Fri, Apr 30 - 4:05pm - 5:35pm Place: Colorado Convention Center, Korbel Ballroom 2

9. Indigenous Visual Ecologies of Knowledge as Repertoires for Learning

	Unit: SIG-Indigenous Peoples of the Americas
	Session Submission type: Roundtable Session
	Time: Sat, May 1 - 10:35am - 12:05pm Place: Colorado Convention Center, Korbel Ballroom 2
	Descriptors: Indigenous Peoples, Arts Education, Social Context

10. Language, Literacy, and Arts in Teacher Education

	Unit: Division K - Teaching and Teacher Education
	Sub Unit: Section 7
	Session Submission type: Roundtable Session
	Time: Fri, Apr 30 - 2:15pm - 3:45pm Place: Colorado Convention Center, Korbel Ballroom 2

11. Lines of Flight: Studying Children’s Production of Art and Culture

	Unit: SIG-Arts and Learning
	Session Submission type: Symposium
	Time: Mon, May 3 - 10:35am - 12:05pm Place: Colorado Convention Center, Room 705
	Descriptors: Arts Education, Adolescence, Early Childhood

12. Linking Teacher Education to Teacher and Student Performance: Research on National Policies and Assessments Instruments

	Unit: Division K - Teaching and Teacher Education
	Sub Unit: Section 2
	Session Submission type: Roundtable Session
	Time: Fri, Apr 30 - 2:15pm - 3:45pm Place: Colorado Convention Center, Korbel Ballroom 2

13. Making Art to Make a Difference: Exploring the Educational Significance of Using Art to Impact Social Change

	Unit: SIG-Arts and Learning
	Session Submission type: Symposium
	Time: Mon, May 3 - 4:05pm - 5:35pm Place: Colorado Convention Center, Room 704
	Descriptors: Arts Education, Social Change, Communities

14. Mediating the Creative Experience: New Literacies, Methods, and Assessments

	Unit: SIG-Arts and Learning
	Session Submission type: Roundtable Session
	Time: Sat, May 1 - 2:15pm - 3:45pm Place: Colorado Convention Center, Korbel Ballroom 2

15. New Teacher Induction: Promising and Innovative Practices for Support, Development, and Leadership

	Unit: SIG-Research on Teacher Induction
	Session Submission type: Roundtable Session
	Time: Fri, Apr 30 - 4:05pm - 5:35pm Place: Sheraton, Grand Ballroom Section 2

16. Poster Session: Culture and Learning Environments

	Unit: Division C - Learning and Instruction
	Sub Unit: Section 5: Learning Environments
	Session Submission type: Poster Session
	Time: Mon, May 3 - 12:25pm - 1:55pm Place: Colorado Convention Center, Korbel Ballroom 3

17. Reflective and Narrative Practices for Aesthetic Development and Learning

	Unit: SIG-Arts and Learning
	Session Submission type: Paper Session
	Time: Sun, May 2 - 10:35am - 12:05pm Place: Colorado Convention Center, Room 707

Still Snowing

In Nebraska snow is still falling and I am wondering about friendships, projects and relationships. In a word back to our networks that become so established they are an integral part of who we are. As a type I found out that I like working in teams. But that is not enough, I like working in teams over long periods of time figuring out everybody's strengths, contributions. But maybe more than anything it is about growing our thinking together.
When I look at my work I have worked with individuals and schools districts over a long period of time.
With Kathy Wilson I have worked for 12 years now, Nancy and Monique- close to decade, the Nebraska Reading First crew- seven. I like this kind of work. It is close, almost intimate, it allows everyone to be engaged in different ways at different time points. And most of all it has space for growth and change over time. This IS professional development, the kind where everyone develops. In this work we are all participants, researchers, evaluators, teachers, developers.
For example, in my last visit to California (great again), one of the kindergarten teachers approached to talk about assessments. She said (I hope I will not misrepresent here) that she as a teacher had her own way of measuring student growth but last year she stopped and instead relied on our project measurement and was dissappointed to see little growth. She hypothesized that the problem was that our assessment required active vocabulary, students had to show kinds of lines without a directive prompt, she felt (justifiably) that vocabulary acquisition could also be assessed passively by asking student to produce through a prompt, e.g. "can you draw a jagged line?". I agreed that there is merit for that approach and then we followed up a discussion about levels of precision within a study and what to do next. This is a great example of a teacher thinking as a researcher and the researcher/evaluator getting a much better idea about classroom needs and perspectives.
Monique wrote in an email recently "You two [Guy and Nancy] have impacted my thinking about education so much in the last ten years." it is more than I deserve but in reality it is a two way street- Monique has impacted my thinking just as much (if not more).
 The link to art integration is clear- real integration can only emerge from sustained engagement, thinking AND socialization. It is just as much about relationships as it about achievement.

Peace

We have a class of practicing and future teachers who are all learning about arts integration into the elementary classroom right now. The focus is the prairie and its' enveloping sense of place. As they are composing their narratives I am writing for the blog. As I/we teach this class I have this uncomfortable feeling. I am not as much in control as I'd like to be. It is a disconcerting feeling but in many ways it is good for me, for this is what I ask the teachers around me to do- get out of your comfort zone and try something else. Stay in this place where you are not in total control and be ok with it. We plan the lessons around the big ideas of integration but the truth is we do not know how it will come out, what will fall flat and will succeed.

This morning we stepped into the prairie in Spring Creek right outside Denton. We spent close to two hours walking around taking photographs. Slowly as time progressed we hushed fanned out and spent time connecting with the surroundings- with photographs as the focal lens. The mood was muted and perfect for sensing and focusing on emotions. We took the risk and the time... Still there is a lot to do to help these practicing and future teachers as well as ourselves make connections and link all of this to actual classroom instruction.

It would be great to examine these experiences as they develop, my guess is that my concerns and feelings are not unique.

Arts Wall

I was invited to participate in the process of developing ideas for the Sheldon statewide art education program.
The language arts focus will be on poetry but that's not what I wanted to write about this time. In the discussions the idea of using word wall to focus students' work in the language arts. It struck me that we can in units use a parallel arts wall. So what can be part of the arts wall? Well it really depends on objectives and accumulated ideas.
The arts wall can have basic shapes lines or textures, color wheel, a list of techniques (for example tissue, taping, and salt in a unit using water color as medium). The idea is to represent things on a an arts wall using both words and artifacts- so it does not just become a word wall of arts words but actually something different.
Another part of the art wall can be reproduction of art that fits with the subject matter, for example scenery when discussing foreground, middle ground, and background. If for example students are exploring a museum (in person or online) they can bring examples to the classroom arts wall and explain to their classmates why they think it belongs (oral rehearsal). I like even better reproducing parts of art in a way that allows a focus on technique o detail.
Moe about the statewide will probably emerge after the workshop on July 28th and 29th.

Assessment of Student Art

I sat all Friday morning with Mindy Amy and Kristen with the explicit goal of looking at kindergarten student Art and trying to come up with a scoring scheme.
Some people refer to such attempts as "subjective" others resist any attempt to assess student art. My experience shows that these assessments are not more subjective than others we use- as long as we clearly define expectations. If the person making the judgment is well trained and the definitions are clear there is no problem. The only risk is in starting to make assumptions about student intent, that's where our work gets tricky. I have a really hard time attributing intent in art making to young students. We, therefore, tried to limit such attributions and make judgments only based on what is actually present in the artwork. In the future I'd like to accompany some of the work with some audio and a few aesthetic question son we can better understand intent- then again there is always more data to collect.

A few months back we brought an graduate student with Art experience to work with us on assessment. She pointed out that we cannot understand the assessment without knowing the teacher's goals within a lesson. The media and directions controlled the outcomes to the point that interpretation losses validity. While I do not completely agree [in early childhood we observe often like that] tapping into teacher goals has been very illuminating. For example in the attached student art the intent was to focus on secondary colors as students drew apples with watercolors. Despite the explicit goal focusing on colors the art allowed to observe two more features. Many students tried to give their apples a three dimensional feel by using color gradations and lines. The second was that in trying to describe their apples they almost never described the colors in any way...

Looking at the Art provides a window to what students can do. It also provides a window to what teachers are emphasizing in their instruction and what they deem less important. The vocabulary [not presented here] by the way was great.

Our assessment of student art includes now the developmental rubric (originally by Nancy A.) though we are adding to it a parallel space rubric that will apply to still life portraits etc. Then we assess whether state standards are achieved and teacher explicit goals are met. Finally we assess the number of links between the art and language activity. In the case of Apple art the language generated was a list of three descriptors for the apples. Even for a first time I must say that we were incredibly consistent with very few disagreements. We will continue working on this for most of the summer so stay tuned.