What Tech Startups can Teach Educational Reform

Photo from: yoursmallbusinessgrowth.com

Let me start by saying that I have never been part of a tech startup so my view may very well be skewed. I recently read that many venture capitalists prefer investing in entrepreneurs that have already failed once. Actually in a phone conversation with my father he quoted the late Uri Menashe who told him once that he likes hiring retired IDF officers after they had failed their first civilian position. The main lesson for me is that to be successful you need to fail a few times, sometimes many times.

The problem is as Sir Ken Robinson likes to point out repeatedly is that we are building educational systems that seem to converge on the exact opposite direction. High stakes tests that constantly push one answer and the notion that failure is not an option.

So what are the lessons of startups?

1. Collaboration: most if not all startups are based on a group of individuals with different capacities and skills working together to accomplish something that hasn't been done yet. Relationships and the ability to work with others are crucial.
2. Failure must be an option: while the long term must be successful the road to success must include many short term failures.
3. High expectations: startups are successful only if they do something new, or something old considerably more efficiently that it essentially becomes something new.
4. Continued innovation: Once you do succeed you must work to improve and work on the next problem.

There might more and different ones for those who are inside startups but these are my takeaways. What does that mean in education? I believe that points to a very different system than the one we have now. Instead of a high stakes low expectation system I advocate a low-stakes high-expectation system. That is true in the classroom and in the school, for students, teachers, and administrators.

The fear of high-stakes is driving administrators, teachers and students to focus on the most direct route to a known answer- the exact opposite of a startup. Low stakes allow honest discussion and the option to fail occasionally so you can succeed in the long run. If every failure has high stakes we who are a risk averse species (see Arieli) shy away and stop innovating and taking risks. For education to match the needs and fast paced changes in modern society we must make room for low stakes so educators can experiment and provide room for short term failures leading to subsequent spectacular successes. We do not need to give up on high expectations instead we need to be patient for long term gains while short term fluctuations occur. In essence its what your investment advisor told you- don't pay attention to short term. In essence it makes all the leaders managing our educational systems akin to day traders instead of high-tech entrepreneurs.

Making Connections through Art

A few days back I was invited to the Kamishibai presentations in the Arts and Literacy workshop class. Monique and Nancy led the class which ran for the fourth time in five years. The presentations were on the last day of the workshop and were as always fun, creative, and thoughtful. One of the groups presented a fractured Goldilocks allegory to their preservice program.

While it was funny and creative what struck most of all was their conclusion. They explained that the arts integration workshop helped them put all the rest of the information together. In that way art didn't just integrate different subject matter but instead it helped them connect theory and practice in a way that didn't just replicate what there was. It allowed them to imagine what might be possible if you imagine.

Monique then introduced me and asked me to say a few words. I naturally wanted to extend their thinking to the ways technology fits in all of this. The point I tried to focus on (on the fly) is that technology has changed the arts equation once again. Once technology gave access to art to all through reproduction, book, and poster making art possible in all homes, consuming art stopped being just for the rich. Now technology has enabled all of us to produce art for an audience.

Music, movies, poetry, and visual art can be created and shared through digital means. It is a revolution in creativity, in art and in consumption.

The Future of Teacher Education

In the last few weeks the videos describing the demise of higher education institutions has been making the rounds on my discussion boards. If you haven't seen it take a peek at EPIC 2020. Obviously I do not take this projection literally. It is one of many possible turns we can take. It does point to a problem that has been well identified. It seems that many perhaps most of the colleges and universities have adopted a wait and see attitude. Let's see how it turns out attitude that watches the few pioneers or the leading institutions and then turns to act.

This attitude served institutions well over the last 100+ years. Higher education seems to be averse to risk and very slow to react and move in new directions. The question that EPIC 2020 asks is relevant though. It is relevant because the pace of change has accelerated so much that the wait and see attitude may very well have some devastating outcomes.

If you have read my blog in the past you probably know that I believe that in teacher education we must move to mobile, social, and flipped learning. I have yet to have serious institutional backing. I would argue that universities should use multiple pilot projects to find out what works and constantly explore the boundaries of what's possible.

When I think of teacher education I am referring to both pre-service and in-service. I believe that we can create large scale classes that can serve many practicing teachers in schools around the country (the world?). Thinking about this brought me back to the work the exceptional Dave Brooks have been doing at UNL more than a decade ago. In many ways the learning paths in massive courses have been outlined in the work he did then and is still doing.

This topic with some ideas about mobile learning may very well be the topics that guide my work this fall. Welcoming thoughts and partnerships. 

Technology, Art, and Social Justice- The Face of Integration

Photo from Akhila's Blog

I usually focus of the problems of integration teacher quality etc. But at the heart of what we do as educators we should always ask ourselves- who are we leaving behind? This is especially important in the digital age. Our ability to focus on channels, devices, and technologies can obscure the fact that not everyone has critical access to technology, media, and the arts. Not seeing our audience obscures the fact that it is too often just like us!

I am using the term critical access in the same way the Bob Calfee used critical literacy two decades ago. The idea is that physical access to devices and networks is not enough. Instead we have to think about ways to encourage the development of media skills and the participation that comes with them.
The ever present focus on "basic skills" for all students (see world literacy summit video) practically guarantee that both nationally and internationally students who are behind will find themselves progressively lagging. What are we doing to make sure that all students are getting critical access to technology? That they have the skills to engage with media? I believe that the solution is making sure that all schools provide critical access and that we do not assume that students, just because they were born in what we think of as the digital age, posses critical access to technology, media, and the arts. 


My cousin Amit Trainin is an illustrator, graphic designer and currently the head of the visual Arts Dept. at Minshar Art School. Seeing the recent graduate exhibition strengthened in me the notion that arts, media and technology are intertwined and are at the very core of our everyday life. People can choose to live outside the digital, artistic world but they can do so only if they first have critical access that allows them to make such a choice.

So when I focus on technology and the arts I put an emphasis on access, not just to the physical (though it is necessary) but also the skills that lead to Critical Access. As teachers it is what we all must do!

One Skill for Teachers

This week I promised my students that I will do as I asked them. Come-up with something I have not done before. True to my promise and to my own thinking about use flipped classrooms I came up with a within class activity focused on making a short instructional video. I presented some options using the iPad including using the front facing camera, the ShowMe app and a few other great options. The assignment was simple. Think of the most important strategy you taught your student this summer, design a short video reminder of it and shoot it in one take (two at the most). No editing, low expectations.

The response was stunned silence followed by "do we really have to?'s". I was a bit surprised, almost every teacher in the group said "I do  not like my voice". I get a similar reaction when I ask everyone to draw. Every student hesitates, apologizes and does her best to find a way to avoid the task. Making movies was along the same lines.

Part of it is the fear of the complete product that will be there to be judged without our ability to mediate. The other part is the fact that we fail to meet our expectations to be Bogart or Knightly. It took me a while to adjust to viewing myself on the techedge01 videos for iPad in the classroom. It was jarring at first but after a short time I got over myself and moved on. I have come to realize that I am not and will not be Bogart. I can tell you that I am too stiff, wordy and academic but I am getting better.

Video in my eyes is too good a tool to avoid using for instruction, especially when we need to individualize instruction for students at very different levels. My students reaction opened my eyes to this barrier of discomfort about performance. Maybe we all need to dabble in performance arts to let go? or just get used to making videos for instruction.

My conclusions force everyone in teacher education programs to make short videos enough to desensitize them. This way when they teach the option to supplement, support or even flip using videos will be just a few simple steps.

Revisiting iPads in the Reading Center

I am spending another summer in our Reading Center. Graduate and undergraduate students are working with a wonderful group of striving readers and writers trying to get a leg up on the next schools year. This is the first summer that we are incorporating our own set of iPad 2 (last year we did iPad 1).

We are trying to study this year, how, exactly the iPads are being used. Anecdotal data collection already shows four patterns.
1. iPads for teacher use- teachers are using the iPads to record student work for assessment, track their own interaction, store lesson plans, and record student assessment and teaching notes.
2. iPad games as a reward/brain break- 60 sec of angry birds can motivate students for quite a while. While this is useful we are trying to steer everyone to focus on games and apps that have literacy related educational value.
3. iPad for student use in Reading/writing apps- using specific apps to practice a skill or strategy (e.g. using iCardsort for word sorts).
4. Co-use: Finally students and tutors use the iPad together to get more information about content. They are using dictionary.com, Google search for pictures to illustrate the meanings of new words etc.

As I am trying to negotiate a tablet policy in our program. One of the administrators asked me if it has to be an iPad. My answer is both no and yes. I have no special allegiance to Apple, Steve Jobs is not my personal savior, and I am writing this blog on my Dell (last in a long line of laptops). I think tablets are the present (not the future- they are here) and are making a daily impact on education as well as every other aspect of life in the US. So the NO boils down to: I am open to other options since I believe that it not not really based on a specific device but a concept.

At the same time I cannot with a straight face say there is any other serious option outside the iPad and its iOS ecosystem. For example when looking at the web traffic on our own website about 20% was on mobile devices last month. Out of that 20% over 95% were from iOS devices. Clearly our mobile clientele has voted as have most k12 schools entering the tablet era.

Creativity, Literacy and Gaming: An Anecdote about Little Big Planet

My six years old son has been asking me to help him spell lately. "Dad" he shouts from the general vicinity of the TV "how do you spell test? Oh I got it". After a few questions I was curious so I came to see what he was doing (the yelling back and forth was getting less fun). I see Itai perched on the couch in front of the tv manipulating characters and obstacles as he is creating a level in the game LittleBigPlanet. He was integrating writing, his knowledge of games, and design decisions to create a game level. As I was expressing my wonderment about his creativity Asaf who is 16 turned to me and said. "He has been doing it for months!". "I knew he playing" I said "but has he published them online?" "Yes", was the answer, "he made about a hundred, but he can publish only 20".

My thought is something like this: while we argue about how much technology and how should be part of our children's educational experience they are actually moving ahead. But only if we give them great tools to work with: Lego, iPads, LittleBigPlanet, all commercial ideas yet all outstanding educational tools. With some guidance children of this generation can become the most imaginative generation the world has ever seen- combining powerful tools, experimenting and social dimensions. Piaget talked about the child as a scientist learning about the physical world about her. Now after the physical world they can start exploring virtual worlds of possibilities- expanding the potential for development.
This somehow made me hopeful.
Trailer About LittleBigPlanet Publishing