Exhibitions and Celebrations of Learning

One of the elements of the Art TEAMS approach is for each learning cycle to end in an exhibition (or celebration) of learning. The exhibition of learning is an opportunity for the learning community to celebrate achievement get positive feedback, and encourage students to start thinking about their development in thinking and making. I recently visited one of our schools, exploring how exhibitions of learning worked in an elementary classroom. 

The teacher organized the tables in a circle (in a tight space, I might add). Each student organized the products they wanted to display across their desk. Some chose EVERYTHING and had very little space, others chose their favorite exemplars, and finally, one innovative student had many learning artifacts but chose to include an arrow pointing to her favorite artifact saying: "You have to read THIS!" 

All students had a stack of feedback notes and went around the room examining other students learning artifacts and leaving positive feedback based on sentence frames projected on the board. 

A debrief after such an event can help students process a portfolio approach and consider what is the most effective approach, not just as the creator but also as the consumer. 

The exhibition of learning gives the students sense of accomplishment and motivation. It can be a great source of metacognition as well. The same can be said for the teacher, a look at the variety and creativity gives the teacher a sense of accomplishment but also a tool to reflect on what could be better next time and what missed opportunities can be seized on in the next inquiry cycle or in subsequent years. 

As an observer in the classroom, the excitement and pride of the students were palpable. Students were smiling, engaged, and proud. I highly recommend creating these moments for students and bringing in administrators and, when possible, parents and guardians to celebrate reaching complex learning goals.

Art TEAMs is made possible a grant from the US Department of Education and by the emergent, collaborative interactions between many individuals. A deep gratitude is extended to all who participated in the experience of teaching (and learning) with emerging media and arts, including teachers (Sarah Holz, Kate Gracie, Maggie Elsner, Matt Auch Moedy, Sarah Gabelhouse, Amy Spilker, Megan Pitrat, Andrew (Mark) James, Jessi Wiltshire, Jessica Davis, Ryan Margheim, Sarah Kroenke, Katie Samson, Melissa Sellers, Casey Sorenson) for embracing ambiguity and vulnerability and expanding into new ways of seeing; administrators (Dr. Lynn Fuller) for holding space and having conversations about new ideas; museum educators (Laura Huntimer) for offering valuable educational resources; teaching artists (Cayleen Green, Fernando Montejano, Angel Geller, and Isabella Meier) for sharing their creative processes; the advisory board (Megan Elliott, Dr. Jorge Lucero, and Dr. Diana Cornejo-Sanchez) for shepherding the design and development of the program; and the research team (HyeonJin Yoon, Carrie Bohmer, Maggie Bertsche, Lorinda Rice, Mackayla Kelsey, Dr. Guy Trainin, Gretchen Larsen, Joelle Tangen, and Kimberley D’Adamo) for weaving together the many pedagogic and curricular threads of a complex tapestry. 

The Teacher Pipeline and TikTok

This weekend I dove into Teacher TikTok. It was fun and, at times, entertaining. I learned two things that are on the teacher's mind:

1. Requirements- for time beyond the contract, whether extending the school day, weekend or during unpaid summer time.

2. Professional development- the list here is even longer but can be summarized:

    Booking snooty speakers.

    The leaders of professional development are divorced from the reality in classrooms especially post-pandemic.

    Professional development that does not walk the talk.

    Professional development could be a video or email.

Professional development that does not consider the diverse needs of different teacher based on topic, experience and expertise.

Our professional learning in Art TEAMS is trying to provide an alternative that creates learning for teachers that is attentive to needs and presents new ideas but allow for time to process and design. We are focusing on respecting professionals and helping them achieve new things. However, I must also stress that everyone in our cohort chose to take this path. It follows that this work cannot be dictated and still expect to get the same outputs.

I am still learning

 Our two weeks of intensive summer work have ended. It is early to talk about results but I can reflect on what I have learned. In the past two weeks, I have been fully immersed with our participants, occasionally I led discussions and activities the rest of the time I split between being a catalyst for discussions sparking directions and ideas, and participating. I was a learner, artist, and curriculum designer. I reflected on my teaching and made plans to do better.

I rediscovered the joy of learning with experienced yet eager professionals. I have learned earnestness, patience, technique, vulnerability, and the joy of movement to name a few. I have been in higher education for close to 25 years and have not had (or allowed myself to have) a professional development that I embraced as thoroughly as I did in Art TEAMS. 

I will try to name a few specific lessons:

1. Movement in magic- Sir Ken Robinson said in his famous Ted Talk Do Schools kill creativity? that education thinks only from the shoulders up. I agreed with his argument but as a university head-first person assumed that it was only marginally true for me. I agreed with his example that some people are dancers and should have the opportunity to move and express themselves. What I missed was that we are all dancers moving through the world (some like me more goofily), and that we can all benefit from movement (thank you Maggie).

2. Trust is everything- This is something I often discuss in my teaching but this time I felt the impact of trust (and the breaking of trust) on me and the teachers around me. With trust, our fight or flight instincts do not emerge immediately when confronting something difficult and uncomfortable. I can say more but I would like to wait for our research to shed some light.

3. Playfulness is learning- During the two weeks, I created art in what can only be described as playful ways. I used different materials approaches and media to mixed results. I failed spectacularly and shared my failures with as many people as possible. Yes, I aimed to model learning behavior but mostly through "forgetting" and letting myself just be in the creative moment. As a result, I learned a lot (still processing) and got a lot braver about sharing my work and sharing myself.

 4. Emerging Media arts emerged- I have been worried that we did not infuse enough emerging media arts into the work. We decided to wait on digital tools and just occasionally included tools to bring forward the work into the realm of emerging media arts. Despite this "low infusion" approach the final projects and reflections included many products that included emerging media arts. Moreover, now the teachers are ready for a bigger taste of emerging media and eager to integrate.

In the coming months, I will add some more but this is where I am now, exhausted, satisfied, and eager to continue!

Art TEAMS is off to a Great Start

 

This week we finally started our Art TEAMS grant with teachers. The project is developing self-driven creative learners who connect disciplines using arts and emerging media as a language to engage and organize knowledge and life experiences.

We will accomplish this by developing, implementing, and evaluating a professional development program for K-12 art educators, generalist teachers, principals, teaching artists, and museum educators.

This week was our first with this great crew of educators. In this professional learning opportunity, we have been careful to design a program that respects the strengths of all the participants and positions everyone as a participant and co-leader. I have to admit that I have not created this much physical representation of learning since my Graduate school days at UCR, nor have I created this much art since my elementary school days. I have found the interactions and the learning powerful, and I believe we are on our way to creating a powerful model that will provide an avenue for innovation. 

Reflecting on this week, my lessons are:

1. We all require protected time to make leaps in our practice and transform our approach. I do know that summer workshops transformation is hard to bring back into the classroom, and thus we will continue to support and work with our team of educators for the next two years.

2. Art is fun even for those with a limited artistic ability (me). You just have to let go and be playful. 

3. Exploring the affordances of materials and discovering their malleability is a truly engaging endeavor.

4. Movement. Movement is magical; in many ways, it is a discovery for me, a discovery that makes me dance with joy. 

Finally, I want to reflect on a moment of pride. In this grant, we insisted on supporting local Nebraska artists. We have found four unique and outstanding artists. I will talk about each of them in a different post but for now suffice to say that I have had a glorious week, and I cannot wait for next week to continue the work.

Innovative Schools Teacher Preparation

Lately Laurie Friedrich and I have been spending time thinking about preparing teachers to thrive in innovative schools. We spent a significant amount of time laying out the outline of a path that will lead us there. Our mission is to prepare educators who are effective and confident facilitating learning in innovative settings.

This goal emerged from our interaction with school leaders who have indicated to us a challenge in finding and retaining educators who can be effective teaching in innovative settings. We think that it it because traditional teacher education programs are not providing the skills and dispositions needed in innovative learning settings. The group we are proposing will lead to a program that will support innovative schools by providing teachers who can facilitate learning in a variety of settings using inquiry, creativity, critical thinking, and collaboration. Our objective is to have a program to supplement traditional teacher education with the skills and dispositions that will create educators who can be consistently successful in innovative schools.

Being a full citizen in the 21st century requires life-long learning that fosters design thinking and innovation. This life-long learning is shaped during the school years. Innovative schools show how to grow this next generation of thinkers and creators, and lead the way for more traditional school systems. Our program aims to grow the educators that will be the backbone of transformation. These schools need the teachers who will make sure such schools are successful and can try new ideas. Our plan is to help these schools by preparing interested classroom and prospective teachers who can step in ready to teach in innovative ways.

Neads, Wants, and Tech

In the las two days Jennifer Davidson and I have been discussing needs vs. wants. Which led me to ask myself a few questions. The first is what are needs in 21st century education. I would argue those are access, connectivity, internet, caring teachers, mixed with hope and actual opportunity to enact your hopes.

Yes there are more basic needs (air, shelter, health,, nutrition) without which educational needs matter less BUT in the 21st century the internet and person to person connectivity are items that must be available. Without them distributed equally, gaps within and between nations will continue to grow.

What are your tech needs vs. wants?

South Africa, Tech, and the Future of Education

I am in South Africa with a vibrant group of educators. It is my second visit to South Africa. We are on the dawn of our second day in Cape Town.

The visit to one of the leading countries in modern Africa poses real educational questions and concerns. From my previous visit it is fairly clear that there is great concern with "catching up". My sense is that this game of catch up will never succeed. Nor should it. I think that the potential of the new economies and the innovator nations is in finding alternatives. In redefining.

My mind keeps coming back to Mitra's presentation in his 2013 TED Award presentation. He claimed that our current education system was designed to feed the human computer system in the Age of Empire. This argument rings true, it combines many claims by others about the industrial nature of modern education with a much more practical aspect of it.  But the most powerful statement is the one I think can guide schools in a nation like South Africa just like it can in a nation like the US. Education is NOT broken. It is obsolete!

If it is so, then South Africa (or any developing country) is on equal footing with any developing nation. Technology and new ideas can serve the foundation to a whole new approach that is alternative to the Imperial Machine. Somewhat appropriate if it grows in post colonial countries. I doubt this happens until someone decides that chasing 19th and 20th century goals.

It is akin to the revolutionary effect of cell phones in developing countries- hurdling over multiple development phases and landing in the present. I do not agree with all of Mitra's points (it is hinted at in this article) but he presents a compelling rationale for change.

I have embedded Mitra's presentation below.


 

The Three (Plus) Collaboration Apps I Use Every Day

1. Google Drive

There is nothing like it! No one has figured out how to enable real-time digital collaboration like Google did. At the composing and creating phase, I do everything in google drive and especially in google docs. The ability to travel in time in a single fully integrated documents has made collaboration seamless and always a blended experience. Even when I work right next to colleagues, we all look at the same product. In the days before the Google suite, we shuttled documents back and forth often losing the flow at one point or another.

2. Video Conferencing
I did not name one such app because I use different ones with different collaborators. Since I am fairly adept at technology, I use whatever others are used to. That is why I use: Adobe Connect, Skype, Zoom, Hangouts, and even Facetime. If I were pressed, I would name Skype as my most commonly used video conferencing app. This is how I connect to co-authors, students, and potential collaborators.

3. Social Media
Social media is my way to learn from people I do not know (or at least know well). My favorites are Twitter and Google Plus. Twitter has a massive reach, and I find many like minds. The downside is the 140 characters limit that collaboration- and I often find myself frustrated by the speed and brevity. Google Plus is a much smaller community, but I often find that interactions are productive and more enduring.

There are many ways that technology complicates our lives, but in collaboration it allows us to collaborate better and further than ever before.

Notes from the Field- Technology Literacy and Art- Monique's Story

Monique and I go back a long time. She is one of my favorite teachers and one of the most thoughtful educators I have had the pleasure to work with. We have not worked together for quite a while but recently she sent me a short note on her work integrating technology so here it is in her own words (I took the liberty to make small changes for clarity).

Monique writes:

Earlier in the year I tried "tech buddies" -- a sixth-grade class & teacher graciously came to my room and worked with my students (I observed) in doing a little research, and each made a field-to-table Po
wer Point-type thing.   That was great, but a one-and-done experience because I only had access to the iPads for 40 minutes every other week. And I still had those mandatory tests/quizzes to work into my scheduled time!

My latest push of myself to use technology and use it a little more creatively started with a mask-making art project and the desire to get EL (and all kids) talking more in a purposeful way. I remembered that D. (1st grade ArtsLINC teacher) had her students successfully use a program/app called Chatterpix.  I had been introduced to Chatterpix by colleagues in the Nebraska Writing Project years ago,  but it had been shelved in my subconscious until this spring.   I had been talking with D. about iPad management (cart versus a few) and wondered how she did it. She told me how she has a small set of them in her classroom all the time (I  think 6) and teaches the kids how to manage and help one another.  She encouraged me that 'for sure' my second graders could make the masks talk with Chatterpix!  Then she told me how she had them post their work in an online journal called Seesaw.  She was making a believer out of me, but... I still felt like I needed a hand, a push or a kick --so --

I invited her over to our school site to provide an afterschool PD to our volunteer "Art PLC" to instruct us just in Chatterpix and Seesaw. (it was not a course in everything iPad, just two things!) Everyone was invited.  We had half-dozen teachers and our principal even came!    She not only walked us through using the apps but talked realistically about classroom management with young primary students.  She also made me realize I could probably do it with a few iPads and not a cart-full.  

So I checked out one (1) iPad from our principal and started in!   They photographed their mask.  They wrote a script for the speech that their mask would give.  (I had given them directions /ideas based on all the pre-learning before the Mask Making.). Then they recorded it using Chatterpix and uploaded it to their individual spot in our Classroom Journal I had set up on Seesaw.  They accessed Seesaw by using a QR code created by Seesaw when I signed up.  I taught two kids and then they managed the rest of the class!   When it was recording time they gave me a signal, then I just said "quiet on the set" and my class was immediately silent!  (they knew their turn was coming!)

The way Seesaw is set up, the teacher has to approve everything before it's posted, so that came after school.  Then -- my entry into integrating Art, Writing, Speaking, and Technology was successful!!

Seesaw also lets you invite parents to view just their child's portion of our class journal, so I did that and have several parents following their student's work now!  

Beyond this original project, I had kids use just Seesaw to take photos of their art and read what they wrote using the audio recording portion several times.  I video captured them reciting a poem of their choice.  They've given oral bi-weekly book recommendations (written first like a book report) all year, so I had them take a photo of their writing and accompanying art and audio-recorded their "speech."  In all cases, they could re-do if they reviewed-listened and weren't pleased.  

Student Masks (photo by Monique)

In the middle of our second "project", I invited the principal to come and see it in action-- with the kids doing it ALL!   I wanted to thank him for finding an iPad for me (my kids) to use and have available all day, every day.  He was as jazzed as I was.  He also saw that I was able to continue with MY passion of art and literacy integration (speaking, listening, reading, writing) and add technology and parent communication.     Within a few weeks, he asked if he could bring a group of principals into my room to see it in action.   THEN a week later he brought by a School Board member!   It was very affirming.   And even an old teacher like me can do it!

So next year, I'll be starting with Seesaw in the Fall to document & share most (if not all) of our ART & literacy (and social studies & science)  projects!    I'll still hang some on the classroom wall and in the office, but this will reach the parents much more quickly and is accessible to me in places other than my classroom!

Take care!

Monique

Binge Learning?

Binge had a negative connotation for a long time. We discussed binge drinking and worried about the impact on our systems.We have this sense that high-intensity short duration behaviors can lead to negative outcomes. The advent of Netflix has transformed the notion of binging into a less destructive more socially acceptable behavior.

In fact, we have been advocating this behavior for years, calling on students to get a lost in a book. We discuss books we cannot put down, or have to read in one sitting. It speaks to a motivation that leads to a very focused behavior.

Right now I am binging on history podcasts. It started with History of the English Language then transferred to History of Byzantium. Yes, I know I am a history geek. But listening to 3-5 podcasts daily (when I walk my dog or drive on my own, I do listen at 1.5 speed) I have started to have questions about learning. I caught my first serial history podcast about 3 months ago. History of the English language has been a deep and joyful experience because by the time I found it it had over 60 episodes. As I listened I enjoyed the level of detail and the build up of facts and ways of thinking. Once I caught up with the podcaster, however, I find it much harder to engage with episodes released once a week or less. I thought I just got tired of the subject so I switched to History of Byzantium, the effect is identical. Once I caught up with the podcasts and have to wait, I find myself a lot less engaged and need a lot more scaffolding to remember where I am in the story.

I argue that binging on content can be a powerful way to experience learning. Intensely sinking into a topic can be powerful and motivating which is exactly the opposite of the way we engage kids in schooling shifting our focus every 20-48 minutes in most cases. Binging on content is of course not enough but it can provide an exceptional starting point for deep understanding. If we follow binge consumption with an attempt to organize the information and then to creating an original product we might have a much better chance of learning. I think this notion fits well into the ideas of project-based learning (PBL) but not limited to it.

As for me, I will keep binging and enjoy learning intensely.

The Digital Writing Gap or Let's all switch to Pencil

Photo by mpclemens CC

The 2012 NAEP look at student achievement composing on computers were published recently (December, 2015). The results are not surprising but crucial for our next step.

The key finding is straightforward:
" While fourth-graders had similar overall average scores on the 2012 NAEP computer-based writing assessment and on a paper-based pilot writing assessment administered in 2010, an analysis of 15 writing tasks common to both assessments revealed a different story.  The average score of high-performing fourth-graders was higher on the computer than on paper, whereas low- performing students did not appear to benefit from using the computer.  This finding suggests that low-performing fourth-graders did not fully demonstrate their writing ability on the computer in the 2012 NAEP computer-based pilot writing assessment, and that the use of the computer may have widened the writing achievement gap."
The growing gap is scary stuff. The results mirror the work by Don Leu that found similar effects with reading digitally. One response can be, so let's just assess kids without technology. The logic is that is technology in assessment widens the achievement gap then we should just go back to pencil and reduce the gap. Switching to pencil, however, is a short-sighted response. Assessment strived to approximate real world knowledge and skill. Writing in our world is done on devices more than any other way. One might argue about the value of note taking by hand, but the composition of personal, public, and professional communication is done electronically. Keeping the assessment to pen and paper would hide the much bigger gap that exists and divert us away from the main challenge- early access to digital technology for all children.
My claim here is that the language of the report makes it seem like the method is the culprit- "the use of the computer may have widened the achievement gap" I would argue it just exposed it.

I hear teachers and administrators worry that the tools embedded in the software/ internet provide "cheats". Children will use editing, dictionary, and spelling tools in a way that would reduce their learning.
This, however, is what the study found:
"In the computer-based pilot assessment, students’ actions on the computer were captured and analyzed for the lowest performing 20 percent of students, the highest performing 20 percent of students, and the middle-performing 60 percent of students. Compared to the middle- and high-performing students, a higher percentage of low-performing students:

• used key presses less frequently;
• did not use the spellcheck function;
• did not accept any automated spelling corrections; and
• used the backspace key less frequently to edit their work.

Overall, students who accepted spelling corrections and used the backspace key more often were also likely to write longer responses. "

Less capable students seem to be using tools less, partially explaining their lower achievement. Our problem is not that the tools are a crutch for low achievers, it is that they do not use them enough.

It is about access:

"The 2012 fourth-grade writing data indicate that students with access to the Internet at home were more likely than those without access to:

• write longer responses;
• use the spellcheck tool more often;
• use the thesaurus tool more often; and
• use bold and italics for emphasis more often. "

And who doesn't have access?

"The percentage of fourth-graders without access to the Internet at home was higher for Black students, Hispanic students, students eligible for free or reduced-price lunch, English language learners, and students with a disability."

To solve this problem of wider gaps in the information age, we must first provide constant access to tools- not an occasional one but habit forming access. Then we must teach digital strategies for using these tools for all students NOT just those who we deem ready.

EdFuture is Now- Predictions

By Parry https://www.flickr.com/photos/21585925@N07/

My colleague Al asked me to think about trends in educational technology in the next 5-7 years. It is both a lovely and futile to try and predict where things are going. As I thought about it I found myself thinking of changes that are already in mid stride. To make it clear I am interested in technology and technology induced trends only as they impact education. Other trends (e.g. self driving cars) are exciting but have little relevance to the thing I know much about.

In the next few weeks I will blog about each group of predictions independently but here are the main topics I will try and tackle.

Already here:
1. Mobile
2. Flipped
3. Social

In the works:
4. OERI
5. Augmented reality
6. Individualization
7. Gaming

Social Engineering:
8. Citizenship
9. Leisure

Fashionable but educationally negligible:
10. Wearables
11. VR
12. User Interface beyond touch and voice.

Four Reasons to Create a Low Stakes Classroom

© Copyright wfmillar

Toward the end of class on Tuesday, one of my students asked: "we have only one grade on the grade book, is that right?". I stopped for a second, my co-teacher and I have provided individual feedback on assignments to every student and had many other meaningful opportunities to interact and respond informally. At the same time, I had to respond "yes, only one grade." She continued: "I know that you do not care about grades, but we do!"

She is right of course. After so many years of conditioning and signaling through grades, it is unfair of me to expect they will be able to accept this approach. Even more so when they have high stakes in the form of a GPA (for grad school, job search), scholarships and more.

That same evening Justin Olmanson brought up the same feature in a Q & A we both participated in. I have also seen it in many of the classrooms using Minecraft as part of instruction. It seems like we have a much easier time letting go of stakes in informal making tasks (art, shop, Minecraft) than in traditional school ones. So, I wanted to take the opportunity and clarify why I try to create a low-stakes classroom:

1. Honest dialogue. When I ask my students to teach and report about their experiences, I want them to be honest, open, and reflective. Honest dialogue is hard to do in a high-stakes environment. If a successful lesson is a high-stakes yardstick, I am pretty sure that each student would try and spin their lesson in the best possible light (maybe even bend the truth). All their efforts would be to protect themselves instead of reflect on what they learned. In a sense, they would be learning about self-preservation instead of personal growth.

2. Creating cycles of self-improvement. Feedback in a low-stakes environment allows my student to revise and improve their learning products no matter how good they are. High stakes grading shift foci from growth to outside criteria.  A great example is high achieving students who often get very high grades. Once the grades are in they see no reason to go on and improve their performance.

3. Improving performance. There is quite a bit of experimental work showing that high-stakes reduce performance in high cognitive load tasks. At the early stages of their career, my students need to focus on process and procedure as a way to get better.

4. Creativity. Creativity and expertise are closely related. I believe that when expertise level is relatively low, as is the case with students, creativity can happen when the stakes are low as well. In a low-stakes environment failed experiments are acceptable as steps towards expertise and the thrill of creating something new.

Lowering stakes does not mean lowering standards. It means that we allow learners to participate and find their way to reaching and surpassing the standards.

The Value of Shared Experience

My sister has been visiting with her daughter (8). All three young kids start each morning on their iPads. My sister became frustrated with extended periods of side by side playing and watching. Finally, she suggested they watch a movie together instead. I agreed, and after thinking a few minutes asked: "how is watching a movie together better than individual iPad use?" My sister said nothing apparently thinking about my question.

Later that day she said: "I watched them as they watched the movie. They laugh together, chat about the movie and have fun together." In essence, she was pointing to shared experiences that can then be a basis for communication and reminiscing. This can happen with devices as well if kids play together in a shared digital space such as Minecraft.

Curiously, this coincided with a video I watched by Dan Ariely on Big Think. In the video, Dan discusses the fact that the vacation experience has three phases, anticipation, execution, and reminiscing. All phases have emotions attached and a very different "half life". I would argue the same can be said for learning experiences (and vacations, at least good ones, are learning experiences). We create anticipation, a learning event and then opportunities for recall. We hope that the reminiscing phase is long and carries with it relevant lessons.

The shared experience becomes important across all phases. First, it heightens the anticipation. We have all seen learners getting each other excited about a coming learning experience. During the event, learners share key moments with oral comments, back channel comments, or even non-verbal comments (e.g. laughter). Finally, and maybe most importantly, learners can remind each other of the shared experience. In this way, they keep enhancing the memory trace and increase the half life of the learning event.

I would argue that the value of shared experiences is linked to the uniqueness of the learning experience itself. If students are busy practicing and gaining fluency (essentially performing at the lower range of their Zone of Proximal Development) then shared experiences are much less important and might actually get in the way. When creating we also seem to need some time without interaction with others to let our ideas grow. But, when we use meaningful and challenging learning events the value of the shared experiences increases.

Individualizing instruction to fit student personal needs must be balanced with shared learning experiences!

Falling for Gadgets and Getting Up

Last week five graduate students and I traveled to Beatrice, NE to participate in the ESU5 Tech Fair.  It was a very successful day and we worked with many teachers in very short sessions. Nick Ziegler was a great host and the event went without a hitch (at least as far as I know).

At the end of the event, I was asked to draw the winners of the door prizes. Nick has arranged for an impressive set of prizes that included screens, printers, iPad, software licenses and more. I agreed to draw for all prizes except for the Interactive Whiteboard. This was the gadget that caught my eye and where I have put all of my door prize tickets.

Despite all of my efforts, I did not win. On the way back, I thought about the gadget and why I was focused on it? It is easy to fall for cool gadgets. You see them in actions or just imagine what you could do with them. It is like getting a present- that sense of getting something cool and starting it for the first time. Laurie calls it the Christmas morning effect. And seeing the gadget I can already anticipate how great I will feel when I open it.

Surrendering to my emotions I forgot to ask the most important question we need to ask about any technology in the classroom: Is it a teaching device or a learning device? In the case it was more a teaching device than a learning one. Now that gadget fever has subsided I also recall that most schools that I have worked with and adapted whiteboards were disillusioned within a year or so. It was simply not worth it and made very small if any gains in instruction. The change if any will come from well-used student devices that are scaffolded for teachers and students.

The third most important reason to integrate art and exlporation in schools- amateurism

Amateur is a word used often as a derogatory term. The professional mutters "amateur!" I would like to suggest that schools need to encourage and value amateurism in art, computers, geography what have you. While I think there are many good reasons for that I want to focus on the third most important.

Many have pointed out that there is a growing divide in employment with a growing number of workers working in service jobs. Would I like it if everyone could work for a high tech company with a six figure salary? Yes! Is that likely to happen? Probably not. So while we try and educate everyone to achieve we must remember that it may not be possible for everyone to have a job they are passionate about and fulfilled by.


This is where amateurism can come into place. Schools can teach individuals to engage in meaningful activities that make them whole even and especially when they are not linked to their job and profession. It can offer meaningful lives for all individuals regardless of employment.

The lesson for me is that life is about more than a job, income, and even vocation. If we want informed capable fulfilled citizenry we need an army of amateurs.


Schools can help by letting students dabble, try, and express themselves through visual art, video, and music. And this is the important part: we should do it with permission to stay happy amateurs.

Five things I want to tell parents about iPad use for kids

We have recently finished a parent survey in rural Nebraska about digital technology use. A few things became clear (though not really surprising).
1. All participants had access to the Web in one way or another.
2. All participants had access to multiple devices. The most common were smartphones and tablets with laptops a close third. Over half of the respondents had family access to 4 or more devices.
3. Email, social media, and web surfing were the three most common personal uses.

Parents also worried about device use for children:
The number one worry is inappropriate sites, social media, and interacting with strangers online (27%). A close second is the worry about how children choose to spend their time, namely overdoing device use (19%). Parents were also worried that devices will limit social interaction and creativity (11%) and will not have enough physical activity (8%).

I am a parent and an educator. Two of my kids grew up before the age of the mobile device (well they had a Gameboy) and two are living through this age of mobile digital devices.
Yes my kids have access to iPads. No, they are not addicted and they do spend time outside, in extra curriculars, and playing off line. And, like most parents I am still searching for the best way to manage a balance between device time and opportunities to learn in multiple ways. At the same time I am aware of the opportunities that the devices present to be creative, interactive, and learn about the world. Oh yes and have fun.

So here are some rules I live by:
1. Limit access to devices in both location times and a general time limit. For example we take iPads with us for car use on long trips but never on local drives.

2. No social media until we feel it is appropriate (maturity over age) and safe.

3. On iPads you can easily prevent web access and app store access so kids can't buy anything, although we do not do this. We've had conversations with our kids about what is appropriate and we do not share our iTunes password which means they cannot purchase any app without us.

4. Make it fun to do other things. For that we have to participate, digital devices are a fun alternative when you are bored BUT it does not beat a good game of capture the flag.

5. Maybe most importantly, kids do not have to use "educational apps" to learn or be creative. Many of the apps challenge kids to be problem solvers (the room anyone?), creators (minecraft), or artists. Embrace the learning!

What should Classrooms look like?

Last week I had the chance to speak at the E N Thompson Forum as a warm up act for the inspiring Milton Chen. I decided to talk about what creativity looks like and can look like in Elementary classrooms. To start off I asked my audience to draw what classrooms should look like. The results (I am attaching examples of work in progress) were very interesting.

What was very clear from the work is that most of the people showing up thought classrooms should look very different than they do now.

The question that occured to me was: if there is a growing concensus that classrooms should be more open and integrated why aren't we trying to do something about it? The example of Pegasus Bay in New Zealand sticks in my mind as an option for new schools but I believe that there is much we can do inside older buildings as well.

I believe that with a bit of ingenuity we can do a lot. It is NOT a replacement for excellent teaching but it provides an environment that encourages teacher and students to learn and teach creatively.

Reflections on China Tour II- When the Stakes are High

Here in the US we often talk about High Stakes tests and their impact for example the work by Berliner and colleagues. In China the conversation about High Stakes was very different.

We had lunch on our last day in Shandong province hosted by one of the lead directors of the school district. After the exchange of gifts and pleasentries we had an inetersting discussion which started with his concern for student well being. He relayed that families are putting too much pressure on students to excel within the system, pressure that may harm some students maybe all. At the same both of us acknowledge the immense impact educational success measured by tests can have on individual lives.

We saw the importance of high stakes testing in almost every conversation with teachers and parents. Our research in China (With Stephanie Wessles and Guo Ji) is looking at the interaction between school and family. We had a chance to see the interaction in our first meeting with parents. Teachers took charge and directed parents who, in turn, complied without question. The parents were professionals from a middle class background but they followed teacher's demands. In the US middle class parents would have responded very differently probably actively resisting what they did not like and asking for a voice in the discussion. Here in China it was different and we were intrigued by it. In conversation some have speculated that this was part of the culture and Confusian ideals. Culture may have had something to do with it, though in private conversations and interviews parents were often critical of teacher's actions and did not think that teachers "knew better". The question that emerged was why parents did not resist what they thought was bad practice?

The answer seems to be linked to High Stakes. In China high stakes are meaningful most often to the individual. Starting very early students take tests that are critical for their advancement into the next level. There is a middle school test, high school etc. Each one of these has potentially dire implications for the student and his/her future path. The High Stakes for students and their family (pressure is intensified by the one child policy) create a need to comply. Parents relayed to us: "I do not always agree with the teacher  but I will not say anything because I fear there will be negative outcomes for my child." In the large classrooms (we saw elementary schools with 40-50 students) teachers cannot attend to all student needs. Each parent is keenly aware of the high stakes and the positive role the teacher can play, thus they do not want to rock the boat fearing that their students will be ignored or underserved.

In this case the impact of high stakes testing is a lost voice for students and parents who should be part of the conversation about education. This is not all one sided. This very same situation helped our efforts to integrate iPads into classroom instruction. Not all parents were in favor and a few worried about it but none resisted it This gave them an opportunity to see the impact on their students. After parents saw the impact they were decidedly positive. This is similar to the model Guskey suggested for teachers.

Generation D- the impulse to re-engineer

I was playing a quiet game of Candy Crush yesterday and my 8 (soon to be 9) year old son Itai came and sat next to me. For me, casual games like Candy Crush are a great way to pass a few minutes and do some problem solving. Itai, however, is generation D (digital) child and reacted to the game in a very different way.       

As I was olaying Itai was making suggestions about moves and figuring out how the game worked. Finally he said: "Wouldn't it be great if you could design your own board and could decide where the jelly and chocolate went?" He continued musing: "you could design your own special candy like a cross between the fish and chocolate". His stream of ideas went on as I was playing and I cannot remember them all, but what I do remember is how easily he has focused on the creation side. 

This of course is not accidental. I have been observing in schools and at home the impact of games like Minecraft and Little Big Planet. For adults they are games, but I argue that for kids they create new ways of thinking. As a result generation D maybe growing up the most creative one yet, a generation that has a creative instinct. A generation that idenftifies a problem and doesn't just want to solve it, they want to re-engineer it. The question for us is how do we design schools that cultivate and support this world view?