Making Connections through Art

A few days back I was invited to the Kamishibai presentations in the Arts and Literacy workshop class. Monique and Nancy led the class which ran for the fourth time in five years. The presentations were on the last day of the workshop and were as always fun, creative, and thoughtful. One of the groups presented a fractured Goldilocks allegory to their preservice program.

While it was funny and creative what struck most of all was their conclusion. They explained that the arts integration workshop helped them put all the rest of the information together. In that way art didn't just integrate different subject matter but instead it helped them connect theory and practice in a way that didn't just replicate what there was. It allowed them to imagine what might be possible if you imagine.

Monique then introduced me and asked me to say a few words. I naturally wanted to extend their thinking to the ways technology fits in all of this. The point I tried to focus on (on the fly) is that technology has changed the arts equation once again. Once technology gave access to art to all through reproduction, book, and poster making art possible in all homes, consuming art stopped being just for the rich. Now technology has enabled all of us to produce art for an audience.

Music, movies, poetry, and visual art can be created and shared through digital means. It is a revolution in creativity, in art and in consumption.

One Skill for Teachers

This week I promised my students that I will do as I asked them. Come-up with something I have not done before. True to my promise and to my own thinking about use flipped classrooms I came up with a within class activity focused on making a short instructional video. I presented some options using the iPad including using the front facing camera, the ShowMe app and a few other great options. The assignment was simple. Think of the most important strategy you taught your student this summer, design a short video reminder of it and shoot it in one take (two at the most). No editing, low expectations.

The response was stunned silence followed by "do we really have to?'s". I was a bit surprised, almost every teacher in the group said "I do  not like my voice". I get a similar reaction when I ask everyone to draw. Every student hesitates, apologizes and does her best to find a way to avoid the task. Making movies was along the same lines.

Part of it is the fear of the complete product that will be there to be judged without our ability to mediate. The other part is the fact that we fail to meet our expectations to be Bogart or Knightly. It took me a while to adjust to viewing myself on the techedge01 videos for iPad in the classroom. It was jarring at first but after a short time I got over myself and moved on. I have come to realize that I am not and will not be Bogart. I can tell you that I am too stiff, wordy and academic but I am getting better.

Video in my eyes is too good a tool to avoid using for instruction, especially when we need to individualize instruction for students at very different levels. My students reaction opened my eyes to this barrier of discomfort about performance. Maybe we all need to dabble in performance arts to let go? or just get used to making videos for instruction.

My conclusions force everyone in teacher education programs to make short videos enough to desensitize them. This way when they teach the option to supplement, support or even flip using videos will be just a few simple steps.

Teaching Art Online

A prospective graduate student came by a few weeks ago. His goal as he stated it is to minimize damage to rural students by providing quality arts instruction online or through distance education in other means. I worry.
I told him that I worried, arts education is a field that requires demonstratin, proximity and more than anything else mentoring. This kind of mentoring is extremely hard to reproduce at a distance. I think that the ability to look at the dancers moves from multiple perspectives, the painters brush strokes or the guitarist hands are crucial elements that cannot be done at a distance. I teach distance courses and Ithink some of


them are great- but not in arts education or arts integration.
My second concern was that by creating online replacements we urge districts that have stuck by their specialists and invested in them to stop. If the quality is there, they might say, why not save a bundle. So what can be done instead?
Here are some ideas:
1. Train classroom teachers in arts integration and enhance their understanding through studio experiences with local artists and museum resources.
2. If online lessons are created integrate them with rich artist in residence programs- mandated not just as an option. The experieneces must be bundled and truly integrated.
3. Educate school boards and administrators about the importance of the arts.

Do not let rural schools do without arts....

Thinking Fast and Slow in Education- Part 1

I am currently reading Thinking Fast and Slow by Nobel prize winner Kahneman (see a book review here). I am still processing some of the information (or thinking slowly...) but I see some obvious implications for teaching and technology. The first is the positive bias- we almost always underestimate the challenge and overestimate our capacity, the second is our lack of ability to intuitively understand statistical properties of the world around us.
In  1999 I saw this first hand in a classroom. In a summer school based on Bob Calfee's WordWork we had one kindergarten teacher who claimed to have gone through the eight-week program in three weeks. We were surprised but she claimed that all of her students have a solid grasp of all short vowel CVC words and are ready to advance beyond it. How do you know? we inquired, she replied that she has been observing her students being successful in making words. Since we assessed students in every classroom on a biweekly rotation we soon had some results from the classroom. Only four out of 18 students could actually produce the patterns reliably without repeated teacher cues. In essence the teacher saw her best students succeed and conjectured that all of her students could.
This is the reason that we should have an emphasis on formal assessment points in which we can get an honest estimate of what our students can do- not what we believe or want them to. Often I hear teachers saying - I know this student can do a lot better - yet they didn't. Now, sometimes it is true and due to some setting event, then a retest is in order. But if a student is consistently under-performing in a well designed assessment opportunity- then we have simply overestimated their capacity based on effort, our support for their work etc.

In technology and especially project based learning that is emerging as a major component in the (welcome) push for 21st century skills we need to make sure that we have a solid way to assess achievement that circumvents our biases and gains a real windows to what students can do.

Changing Media

In the past few months I have been carefully planning a shift from writing to video as an expression. I have to admit that it is still very much a work in progress but we finally came up with UNL Tech EDGE available through iTunes U and UNL's Media Hub. Working in a new media is a challenge but I have to admit that I am enjoying it. Maybe it's just a novelty effect...
We have received a grant from Nebraska's Coordinating Commission for Post Secondary Education that will support our professional development efforts across the state. In the grant we combine four professional development days, technology coaching and online resources for teachers- including our netcast about iPads in education.
More soon.