A Flipping Rant

Khan and Gates

No, its not what you think and it is still a clean blog. I spent some time thinking last week on flipped learning a term that is in very real danger of becoming a cliche. It started with Khan and his academy that I have discussed before and even recommended on my netcast. I have actually used a version of a flipped classroom in a methodology course I teach in the summer using the Khan academy mini lessons to help students go through the fundamental calculations in descriptive statistics. More recently Hake a prolific observer of science education has posted a series of responses to the quality of the Khan academy instructional approaches (very old fashioned really) that can be seen here. I agree with much of what's been said there but here I have another point to make.
Everyone is hailing this approach as the new silver bullet- new thinking about education that will help transform education. I have the sinking suspicion that the support for this model is actually rooted in two very irrelevant sources. The first is the observation that the instruction on the Khan academy video's is in fact very old fashioned. It is exactly the same thing that I had in Math when I went to school, the only difference is that you can watch it your time repeatedly without driving your teacher crazy.
The second reason this approach is deemed great is that it is supported by someone that has never been an educator and knows very little about learning theory. We love innovators in education that come from other realms and can show educators the light.

Students discussing the media they read at home
during Literature Circles

My rant, however, goes in a very different direction. English language arts and social studies teachers (primarily) have from the dawn of time been flipping their classrooms. They sent students home with the direction of consuming media (books, movies, photos, source documents). The  in class everyone discussed the novels, source documents and produced projects about them. Yet, this does not occur to CNN, BBC or Bill Gates. It turns out that every high-school teacher has been doing it for years. So why do we like when Khan does it? again because it is in math, because it is coming from outside education, because first he made his millions in the stock market and then he discovered education- such a sacrifice. Much more than a teacher that has skipped the getting rich part and dedicated his life to children without the benefit of earnings and Bill Gates loving embrace.
My flipping sisters and brothers who teach in flippin' ways you were there first and will still be there even after Khan fades into distant memory.

An atypical post: Empathy and the act of Artistic Creation

Last week I had two encounters with artists that expressed an empathetic link to exceptional students. Last thursday I went to listen to my son performing as part if the Lincoln High Slam Poetry team. Before they performed we had the pleasure of listening to Chris August Slamming. His most potent poetry seems to have emerged from his interaction with students with disabilities when he was a special education teacher. An example is in this selection that reminds me at times of Taylor Mali. That night I started thinking about ways this experience with students makes us more empathetic in a way that finds its way into an artistic outlet OR maybe it is a shared sensitivity that manifests itself in teaching and caring as well as for creating.

Later in the week I read Kurt Knecht's (a friend and fellow blogger) post about deciding to become a composer. In it he concludes with: "After that morning, I knew two things. I didn’t want to play in places with non-union stagehands, and I wanted to learn how to write music that could make mentally handicapped children clap."

I do not really think that all artists have more empathy. I think there are too many examples to the contrary, but I think that in the act of creating for an audience there is at times a sense of audience (and both my examples are from performance art) that makes us more empathetic. To do that successfully an artist must achieve at least a limited sense of empathy.

The interesting piece in this empathy sense is that empathy is a "pay it forward" idea. I think that when an audience is privy to this empathy they are automatically more empathetic towards the person (think Teebo). In Chris's case it makes his word choice and other choices easier to swallow because he did show us a different side as well. 

I think that the same can hold for kids- performance and artistic creation can foster their sense of empathy as well.

Teaching Art Online

A prospective graduate student came by a few weeks ago. His goal as he stated it is to minimize damage to rural students by providing quality arts instruction online or through distance education in other means. I worry.
I told him that I worried, arts education is a field that requires demonstratin, proximity and more than anything else mentoring. This kind of mentoring is extremely hard to reproduce at a distance. I think that the ability to look at the dancers moves from multiple perspectives, the painters brush strokes or the guitarist hands are crucial elements that cannot be done at a distance. I teach distance courses and Ithink some of


them are great- but not in arts education or arts integration.
My second concern was that by creating online replacements we urge districts that have stuck by their specialists and invested in them to stop. If the quality is there, they might say, why not save a bundle. So what can be done instead?
Here are some ideas:
1. Train classroom teachers in arts integration and enhance their understanding through studio experiences with local artists and museum resources.
2. If online lessons are created integrate them with rich artist in residence programs- mandated not just as an option. The experieneces must be bundled and truly integrated.
3. Educate school boards and administrators about the importance of the arts.

Do not let rural schools do without arts....

Learning Design in Educational Apps

In the past few weeks I have started a netcast on using iPads in k12 education (tech edge on iTunesU). My co-host Allison and I spend quite a few hours every week trying to find apps that are educationally sound. The challenge is quite real. What we've learned may not be surprising, but it spells opportunity or disaster. Most of the "educational" apps are based on implicit and false theories of learning and design. This is not a failure of understanding a specific domain (say social studies) but instead a failure of understanding how we learn.
So what do I mean by opportunity or disaster? The opportunity exists for innovation to take over the marketplace with excellently designed educational apps. The disaster will emerge if after schools invest heavily in mobile devices and fail to deliver on learning simply because the apps that carry the lad are subpar.
We will keep looking fir educationally sound apps (or try to get close).
Check out the website and connect to the netcast:
http://cehs15.unl.edu/cms/index.php?s=18&p=190



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Thinking Fast and Slow in Education- Part 1

I am currently reading Thinking Fast and Slow by Nobel prize winner Kahneman (see a book review here). I am still processing some of the information (or thinking slowly...) but I see some obvious implications for teaching and technology. The first is the positive bias- we almost always underestimate the challenge and overestimate our capacity, the second is our lack of ability to intuitively understand statistical properties of the world around us.
In  1999 I saw this first hand in a classroom. In a summer school based on Bob Calfee's WordWork we had one kindergarten teacher who claimed to have gone through the eight-week program in three weeks. We were surprised but she claimed that all of her students have a solid grasp of all short vowel CVC words and are ready to advance beyond it. How do you know? we inquired, she replied that she has been observing her students being successful in making words. Since we assessed students in every classroom on a biweekly rotation we soon had some results from the classroom. Only four out of 18 students could actually produce the patterns reliably without repeated teacher cues. In essence the teacher saw her best students succeed and conjectured that all of her students could.
This is the reason that we should have an emphasis on formal assessment points in which we can get an honest estimate of what our students can do- not what we believe or want them to. Often I hear teachers saying - I know this student can do a lot better - yet they didn't. Now, sometimes it is true and due to some setting event, then a retest is in order. But if a student is consistently under-performing in a well designed assessment opportunity- then we have simply overestimated their capacity based on effort, our support for their work etc.

In technology and especially project based learning that is emerging as a major component in the (welcome) push for 21st century skills we need to make sure that we have a solid way to assess achievement that circumvents our biases and gains a real windows to what students can do.

Changing Media

In the past few months I have been carefully planning a shift from writing to video as an expression. I have to admit that it is still very much a work in progress but we finally came up with UNL Tech EDGE available through iTunes U and UNL's Media Hub. Working in a new media is a challenge but I have to admit that I am enjoying it. Maybe it's just a novelty effect...
We have received a grant from Nebraska's Coordinating Commission for Post Secondary Education that will support our professional development efforts across the state. In the grant we combine four professional development days, technology coaching and online resources for teachers- including our netcast about iPads in education.
More soon.

Mentoring

Listening to the authors at the Plum Creek festival Gala (thank you Laurie for the invitation) I was struck by the importance of mentorship mostly informal for the development of "talent". The great illustrator Pinkney told the story of how an established artist took interest in him as he was drawing while selling newspapers and invited him to his studio. The two other speakers that spoke at length also discussed individuals who took interest in them and helped guide their development. As I listened I wondered, do motivated "talented" individuals attract such attention and feed on it or is it a phenomenon that can be expanded and if so. Are we giving students the opportunities to forge such relationships that will lead them to new ideas new images of future selves?


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