It is a rainy morning punctuating a beautiful but extremely busy week. In a short conversation with Monique who is doing some thinking and writing about what is left from arts integration projects after the project is over.
Our conversation turned to thinking about different responses by different teachers and the conditions under which these responses emerge.
One factor that we did not explicitly discuss was teacher engagement. For me we, as teachers, are not fully accepting a practice until we let that practice "fill" us. That is we enact it with students fully embracing and participating in the practice. This is even more important when integrating the arts, since the arts are meant to be displayed, shared, and audienced (not sure this is a word...).
If we stay reserved while playing a song, drawing, dancing, making a movie- our students will feel our reservation and will limit their own participation, viewing full engagement as "childish". Maybe the term I am looking for is JOY (parallels the notion of ">FLOW). If you find joy in integrating the arts and your students can feel your joy, they will buy into it, fully particpate, and learn what it means to really enjoy what you do.
Now I do not mean that finding JOY in a practice shold stop you in any way from being critical after the fact, evaluating what worked and what didn't and improving a practice. This JOY/FLOW is ot always there because to reach it we must have expertise, practice and confidence. But when we reach it the results and the JOY can fill us with a strong sense of efficacy and empowerment.
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This blog focuses on ways that art, technology, and literacy can interact in all educational settings.
Saturday, June 25, 2011
Saturday, June 18, 2011
Art Education and the Elites
It is an untypically pessimistic post for me...
The drive to make sure that students are on grade level in Reading and Math has hurt many of the other subjects. It is simply the arithmetic of time in school, so we're told. All the surveys show that the public wants creative and even artistic students but whenever faced with the false dichotomy of either reading and math OR art, people admit that they think reading and math are more important to them.
Of course this impacts some students more than others. Uper middle class professional parents will support extra curricular programs in their schools and will also fill the gap themselves. At the same time a self reinforcing pattern of alienation from the arts will occur through the rest of society. Depending on what outcome you care about we will have less creative adults (when we need thm most), we will ave less patrons of the art, and finally and mot importantly art will once again be part of class distinction.
If only a small and well off segment of socuety gets true exposure to the arts then the arts themselves become part of class. When people discuss class they talk about class warfare. I do not agree I see instead a slow eroding change that willl not be understood until it is irreversible.
This call is not only for educators and thepublic but also to art organizations- make sure you engage your future audiences and include education in your goals.
The drive to make sure that students are on grade level in Reading and Math has hurt many of the other subjects. It is simply the arithmetic of time in school, so we're told. All the surveys show that the public wants creative and even artistic students but whenever faced with the false dichotomy of either reading and math OR art, people admit that they think reading and math are more important to them.
Of course this impacts some students more than others. Uper middle class professional parents will support extra curricular programs in their schools and will also fill the gap themselves. At the same time a self reinforcing pattern of alienation from the arts will occur through the rest of society. Depending on what outcome you care about we will have less creative adults (when we need thm most), we will ave less patrons of the art, and finally and mot importantly art will once again be part of class distinction.
If only a small and well off segment of socuety gets true exposure to the arts then the arts themselves become part of class. When people discuss class they talk about class warfare. I do not agree I see instead a slow eroding change that willl not be understood until it is irreversible.
This call is not only for educators and thepublic but also to art organizations- make sure you engage your future audiences and include education in your goals.
Saturday, June 11, 2011
Looking Forward
At a retirement party yesterday I chatted with Margaret Latta, a great colleague, about the future of art education at UNL. Yes, despite the budget cuts we think there is a future. In a previous post I have hinted at that option but yesterday we went one step further.
We are looking to situate arts education as part of an MEd program that focuses on 21st Century learning. Pre and in serrvice
teachers will participate in core courses on creativity, arts integration, technology and media in education. The idea is to transcend the traditional disciplinary boundaries in education to create a more coherent
vision and practice of education.
I am not sure if we can pull it off and get a critical mass of faculty to become interested. To make it work we need enough involvement to ensure sustainability and enough focus to ensure a cohesive program. I think that doctoral students might be a great part of a structure like this...
Part of the challenge will be to reboot some of our existing courses so that they fit our vision of integration as we practice what we preach!
- Posted using BlogPress from my iPad
We are looking to situate arts education as part of an MEd program that focuses on 21st Century learning. Pre and in serrvice
teachers will participate in core courses on creativity, arts integration, technology and media in education. The idea is to transcend the traditional disciplinary boundaries in education to create a more coherent
vision and practice of education.
I am not sure if we can pull it off and get a critical mass of faculty to become interested. To make it work we need enough involvement to ensure sustainability and enough focus to ensure a cohesive program. I think that doctoral students might be a great part of a structure like this...
Part of the challenge will be to reboot some of our existing courses so that they fit our vision of integration as we practice what we preach!
- Posted using BlogPress from my iPad
Location:S 44th St,Lincoln,United States
Friday, June 3, 2011
What do I mean by entrepreneurship?
In a comment on a previous post Kurt (whose blog is worth visiting) asked what I meant by entrepreneurship. Like all good questions it made me think a little more deeply on the issue- which is the main reason for the existence of this blog in the first place.
For me that word extends to any self initiated activity that interacts with the community in a positive way. It could be economic (and showing the economic importance of the arts is part of it), but it could also be a part of applying an entrepreneurial approach to community involvement, community action or giving.
The idea is that the arts can help students be more aware of their community and connect to it. See themselves as relevant players in building a community. I believe that shared art that crosses personal boundaries shared in new ways can become a vehicle to contain the alienation that kids and adults often feel in their everyday life.
One can argue that our modern school system is a product of the industrial revolution and the structure of the disciplinary approach to school (most obviously in high school) is akin to an assembly line in which each teacher has a specific and narrow task. His output can be measured easily most recently in value-added model suggested by economists (see Kurt's take on this issue here).
What I am arguing is that education and most easily elementary education can strive to create an alternative approach which connects the learner to the community and reduces the alienation not just for the learner but also for the community at large. Art can be such an instruments if we allow and support our students in becoming social and economic entrepreneurs.
Theoretically I am aiming at a sense of agency- a sense that schools (and society) strip away from children instead of finding meaningful ways to foster it.
For me that word extends to any self initiated activity that interacts with the community in a positive way. It could be economic (and showing the economic importance of the arts is part of it), but it could also be a part of applying an entrepreneurial approach to community involvement, community action or giving.
The idea is that the arts can help students be more aware of their community and connect to it. See themselves as relevant players in building a community. I believe that shared art that crosses personal boundaries shared in new ways can become a vehicle to contain the alienation that kids and adults often feel in their everyday life.
One can argue that our modern school system is a product of the industrial revolution and the structure of the disciplinary approach to school (most obviously in high school) is akin to an assembly line in which each teacher has a specific and narrow task. His output can be measured easily most recently in value-added model suggested by economists (see Kurt's take on this issue here).
What I am arguing is that education and most easily elementary education can strive to create an alternative approach which connects the learner to the community and reduces the alienation not just for the learner but also for the community at large. Art can be such an instruments if we allow and support our students in becoming social and economic entrepreneurs.
Theoretically I am aiming at a sense of agency- a sense that schools (and society) strip away from children instead of finding meaningful ways to foster it.
Saturday, May 21, 2011
What if we combined arts, technology and entrepeneurship?
In a series of conversation about the arts in the last few years I have heard repeatedly the argument that the arts help sustain communities from an economic standpoint. To be honest I have paid little attention to it. Not because I think they are wrong but instead because my main concern is not the business of the arts, it is maintaining the place of the arts in education.
In the last few weeks one of our graduate students Laurie has been conducting interviews and observations with teachers who integrate technology in their instruction. Quite a few of the teachers were art teachers that integrate technology into much of their work, some were technology teachers using art (visual, video and music).
At the same time schools are being "squeezed" and respond by limiting art and technology. What would happen if we combined arts, technology, and entrepreneurship in meaningful ways? What might that look like at the school and community level? I think there is great potential here that would help students see connection become active learners and strengthen communities. There is one risk- doing this might make school learning relevant and meaningful, not much irony actually, if some areas are highly motivating other areas that are less immediately relevant (say physics) may actually decline even further. Much to think about would love some comments.
In the last few weeks one of our graduate students Laurie has been conducting interviews and observations with teachers who integrate technology in their instruction. Quite a few of the teachers were art teachers that integrate technology into much of their work, some were technology teachers using art (visual, video and music).
At the same time schools are being "squeezed" and respond by limiting art and technology. What would happen if we combined arts, technology, and entrepreneurship in meaningful ways? What might that look like at the school and community level? I think there is great potential here that would help students see connection become active learners and strengthen communities. There is one risk- doing this might make school learning relevant and meaningful, not much irony actually, if some areas are highly motivating other areas that are less immediately relevant (say physics) may actually decline even further. Much to think about would love some comments.
Tuesday, May 17, 2011
Budget Cuts and the Arts
This time I would like to talk about the recent budget cuts at UNL. While this may be not be directly about arts integration I still believe it has direct impact on my main topic. In the recent round of budget cuts a decision was made to cut K-12 arts education. What does it mean? It means that we will cease to prepare arts educators at the undergraduate level within the next few years.
I am sorry to see any program go, and even sorrier to see my good colleague Dr. Jean Detlefsen go, but in times of budget difficulty choices have to be made. The pattern, however, is familiar to K-12 environments- the arts goes out early with PE and other "nice but not necessary" subjects. I argue here as I did before the Academic Planning Committee, that the loss will impact our program beyond that of arts education. The disappearance of the program will lead to fewer graduate students in arts education decreasing our ability to teach art methods to all elementary teachers. In addition, this group of future arts educators interacted directly with future elementary teachers in our arts teaching methods course. But all of that will cease in less than two years.
So what now? As I am more prone to action than dwelling on things I cannot change I started working with colleagues on a new M.Ed. program that will focus on 21st century learning- marrying my care for elementary education and my interests in creativity arts integration and educational technology and media.
In some ways I am very excited about this new idea whose time has come...
Hopefully this idea can support the ongoing creation of diverse art teachers that would be able to combine art media and technology for the benefit of all students.
I am sorry to see any program go, and even sorrier to see my good colleague Dr. Jean Detlefsen go, but in times of budget difficulty choices have to be made. The pattern, however, is familiar to K-12 environments- the arts goes out early with PE and other "nice but not necessary" subjects. I argue here as I did before the Academic Planning Committee, that the loss will impact our program beyond that of arts education. The disappearance of the program will lead to fewer graduate students in arts education decreasing our ability to teach art methods to all elementary teachers. In addition, this group of future arts educators interacted directly with future elementary teachers in our arts teaching methods course. But all of that will cease in less than two years.
So what now? As I am more prone to action than dwelling on things I cannot change I started working with colleagues on a new M.Ed. program that will focus on 21st century learning- marrying my care for elementary education and my interests in creativity arts integration and educational technology and media.
In some ways I am very excited about this new idea whose time has come...
Hopefully this idea can support the ongoing creation of diverse art teachers that would be able to combine art media and technology for the benefit of all students.
Thursday, April 7, 2011
Art can be a little bit of magic in the classroom
Evie who is my co-teacher in Elementary methods. She just said that during our class. Maybe just maybe we're raising a new generation.
Technology in its wider space drives this generation to be more creative, more open, more visual and maybe above all more performance oriented with a strong sense of audience.
Today, I am hopeful.
Technology in its wider space drives this generation to be more creative, more open, more visual and maybe above all more performance oriented with a strong sense of audience.
Today, I am hopeful.
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