Sunday Morning Tea- Looking for Clarity

As I sip my tea, black with honey, I am looking for clarity. In her Swanson award acceptance speech Margaret Macintyre-Latta used the fog of her childhood's Canada as a metaphor for her educational worldview. The talk made me think of my own childhood and the bright unrelenting light of Israeli summers as well as the clear crisp days where you can see for ever. In my own work I look for clarity, the kind that I can hold firmly in my hand. This approach is limited as somethings are elusive and defy clarity. The context is a chapter I am writing about Evaluation of Arts Education programs, I am trying to clarify to myself what I mean by Professional Development as Curriculum. Curriculum doubtlessly matters, but in recent years we seemed to start focusing on curriculum as the only thing that matters, maybe even more it is curriculum as driven by assessment but I digress. [the tea cup is empty and my throat feels much better] The failure of this approach may be the seen in the demise of Reading First [disclosure I am the Reading First evaluator for Nebraska].
In Arts LINC we are using a different approach that looks at teacher professional development as the key to changing the way classrooms work and student achieve. This is by no way original, but we are explicitly trying to change the way we all talk about change in school. It does take guts to say what we offer is not the only thing that can work just a version of it. But what does it mean to turn the Professional Development in the curriculum? We have some teachers that have internalized the ideas of arts integration into their practice so well that in their day to day practice it is inseparable. Others do the units we ask them to with varying degrees of fidelity but it is clear that they have not internalized it as part of everyday practice. Maybe clarity is by looking at examples. The tea is done children waking up more later...

Oral rehearsal

Yesterday I gave every student had a different piece of metamorphosis art created by Maria Merian. I had them observe their own silently for a few minutes.

I then used a QUEST book to provide questions and had them each share their responses with a partner. At one point I gave them one minute to talk before they had to switch turns.
They had to use as many of our target vocabulary words as they could that "worked" with the painting.

When the timer went off, they said, "That went too fast!"

Arts and literacy connections

In the quote from the Writing Committee NCTE 2004 they wrote: Writers often talk in order to rehearse the language and content that will go into what they write.
It would seem to me that the arts provide another vehicle to rehearse the ideas and content in a more holistic manner. They go on to discuss how important writing is for thinking--thus I would propose that the arts also provide children with opportunities for thought that then can be translated into text. NancyA

York

Arts LINC was born out of the work on visual art and writing, a part of Project RAISE (Reading and arts integrated for Student Excellence). The project uncovered a consistent theme of vocabulary development with students who were involved in active VIEW (Visual Integration to Enhance Writing) classrooms. As the project evolved we observed the change in oral language for all students. At the same time research literature about vocabulary development has reached a point of maturity. Research has pointed to increasing vocabulary as a key to narrowing the achievement gap. Arts LINC seeks to build on the work of VIEW that helped children communicate through art and writing and add the dimension of focused vocabulary development. It is the conviction of this project that the arts add for the student the dimension of meaning and emotion to literacy acquisition.

We spent the day with our teacher-researchers in York. The energy in the room was great. The question is how can we maintain this energy and get better at what we do...