This blog focuses on ways that art, technology, and literacy can interact in all educational settings.
Sunday, February 16, 2020
Wikipedia First: New Rules for Online Research
A recent article in Wired revisited how attitudes toward Wikipedia come face to face with the reality of Wikipedia. It is the world's eighth most visited site, it is free, it is not monetized. Students still recite that you cannot get information from Wikipedia- that it is not a reliable site.
In short, there is a gap between what we say "Wikipedia is unreliable, and the information on it cannot be trusted" and the reality that we all use Wikipedia and often for all the right reasons.
One of the common critiques about Wikipedia is that consensus might not be the best method to determine what is "true." That is a compelling argument and not without merit. It is, however, precisely what researchers do. Send papers to scrutiny "peer review" and research results become "true" when most of the research community thinks they converge, and we reach consensus until new information disrupts it.
In fact, a whole section of the Conceptual map about the Nature of Science (bottom right in the figure). Has to do with the community.
I will not repeat all the support and critiques of Wikipedia - you can read those on Wired in the original. I would like to instead suggest an addendum to how we treat Wikipedia when we teach students about Information Technology.
Let's make it Wikipedia first, never Wikipedia only. We always need to corroborate any information, but Wikipedia, with its basic information and the next set of links, can launch a search that is not guided just by the commercial and parochial interests of the monetized search engines only.
Wikipedia first
Sunday, February 9, 2020
Why Silent Reading Rates and Stamina are More Important than Ever!
Freddy Hiebert currently of TextProject, Emily Hayden of Iowa State and I recently published an empirical paper about patterns of silent reading. This is the work we have been pursuing for quite a while. Studies of silent reading in the context of reading development is a crucial element in expanding our understanding of reading in the context of new literacies. Reading in the 21st century is quickly becoming a substantially different task than before- a task that, as educators and researchers, we need to explore. The reading task in the age of new literacies combines much of the old skills (e.g. decoding, word knowledge, fluency) with newer challenges emerging from distractions, nonlinear texts, and the richness of multimodal texts.
I believe that one of the least understood elements of reading in the 21st century is persistence. This is inherently a different challenge than it was as little as twenty years ago. Modern readers seem to be almost assaulted by distractions and behaviors that challenge their attention to a continuous text. At the same time, comprehension of complex texts can emerge only from sustained close reading. In this, I go back to the notion of motivation as the ability to sustain attention to a specific task- reading.
The results of the study show that many students do not persist in reading even when they comprehend well. At the same time, it is clear that students that do persist in reading with comprehension adjust their reading rate after one text section and then slowly increase their reading rate. These patterns show the benefits of persistence and highlight the challenges of distraction. If students are distracted they will attempt each piece of the text as if new, unable to use the feedback from the previous section to adjust their reading rate to ensure comprehension. It is very likely that such behaviors make reading considerably less efficient and thus increase the odds that readers will not persist reading longer texts with comprehension.
I believe we have two challenges, the first is to research reading in modern contexts and the second to develop a framework for instructing silent reading with persistence and comprehension. From our conclusion:
"...we believe that the most pressing issue within reading instruction at present pertains to instructional tasks and interventions that support silent reading proficiency. One of the few projects on supporting silent reading within classroom settings in the archival literature is that of Reutzel, Fawson, and Smith (2008). This study, conducted with third graders, showed that a treatment of silent reading produced similar results on assessments of ORF as oral reading practice... To date, we have been unable to find a framework for designing tier-one, classroom instruction that begins in the early grades and ensures that students develop strong patterns of silent reading. If we are to prepare students for the tasks of the twenty-first century, such frameworks for instruction are urgently needed." (Hayden, Hiebert, & Trainin, 2019)
I believe that one of the least understood elements of reading in the 21st century is persistence. This is inherently a different challenge than it was as little as twenty years ago. Modern readers seem to be almost assaulted by distractions and behaviors that challenge their attention to a continuous text. At the same time, comprehension of complex texts can emerge only from sustained close reading. In this, I go back to the notion of motivation as the ability to sustain attention to a specific task- reading.
The results of the study show that many students do not persist in reading even when they comprehend well. At the same time, it is clear that students that do persist in reading with comprehension adjust their reading rate after one text section and then slowly increase their reading rate. These patterns show the benefits of persistence and highlight the challenges of distraction. If students are distracted they will attempt each piece of the text as if new, unable to use the feedback from the previous section to adjust their reading rate to ensure comprehension. It is very likely that such behaviors make reading considerably less efficient and thus increase the odds that readers will not persist reading longer texts with comprehension.
I believe we have two challenges, the first is to research reading in modern contexts and the second to develop a framework for instructing silent reading with persistence and comprehension. From our conclusion:
"...we believe that the most pressing issue within reading instruction at present pertains to instructional tasks and interventions that support silent reading proficiency. One of the few projects on supporting silent reading within classroom settings in the archival literature is that of Reutzel, Fawson, and Smith (2008). This study, conducted with third graders, showed that a treatment of silent reading produced similar results on assessments of ORF as oral reading practice... To date, we have been unable to find a framework for designing tier-one, classroom instruction that begins in the early grades and ensures that students develop strong patterns of silent reading. If we are to prepare students for the tasks of the twenty-first century, such frameworks for instruction are urgently needed." (Hayden, Hiebert, & Trainin, 2019)
Sunday, February 2, 2020
Teaching as a Craft
Occasionally I browse the books available on audio from the library through my app and listen to an almost random pick. This is how I came by Eric Gorges’ A Craftsman Legacy. It turns out that the book emerged from a TV show with the same name. Eric reads a string of interactions with craftsman while telling his personal story in a reflective measured voice. The result is almost hypnotic. What I found magical in the way Eric read his book was that it provided space to think. Eric who is a craftsman himself visits exceptional craftsman interviews them while learning to create in their medium. This allows for a conversation and a juxtaposition of a master, a novice, and the learning process.
I remember grappling with the conflicting ideas of teaching as an art or as a science. Following Eric’s argument I believe it is a craft and that the metaphors and rumination that emerge from the book can be useful when thinking about teaching. For example, Teaching curiously enough relies quite heavily on an apprenticeship model that Gorges sees disappearing in the physical crafts.
One strand that Gorges pulls as the book evolves is the notion of play. His interviewees often describe a path that starts in childhood, constructing a bow, taking a clock apart. But for them play never stops and the hours they put in make them an expert while keeping the element of play. As we recognize the role of play in encouraging curiosity and discovery I believe that exposing kids to physical crafts can be magical.
I have had the chance to visit with Justin Olmanson discussing his efforts to include Making in our teacher education programs. It seems like our students initially resist the effort required to actually iterate and make. The demand forces them to slow down and make time. What Justin says has helped is describing the emotional journey that accompanies making. In the same vain I wonder if we used craft of teaching as a guiding metaphor it would make it easier for our students to understand the iterative nature of learning to teach.
I remember grappling with the conflicting ideas of teaching as an art or as a science. Following Eric’s argument I believe it is a craft and that the metaphors and rumination that emerge from the book can be useful when thinking about teaching. For example, Teaching curiously enough relies quite heavily on an apprenticeship model that Gorges sees disappearing in the physical crafts.
One strand that Gorges pulls as the book evolves is the notion of play. His interviewees often describe a path that starts in childhood, constructing a bow, taking a clock apart. But for them play never stops and the hours they put in make them an expert while keeping the element of play. As we recognize the role of play in encouraging curiosity and discovery I believe that exposing kids to physical crafts can be magical.
I have had the chance to visit with Justin Olmanson discussing his efforts to include Making in our teacher education programs. It seems like our students initially resist the effort required to actually iterate and make. The demand forces them to slow down and make time. What Justin says has helped is describing the emotional journey that accompanies making. In the same vain I wonder if we used craft of teaching as a guiding metaphor it would make it easier for our students to understand the iterative nature of learning to teach.