Mentoring

Listening to the authors at the Plum Creek festival Gala (thank you Laurie for the invitation) I was struck by the importance of mentorship mostly informal for the development of "talent". The great illustrator Pinkney told the story of how an established artist took interest in him as he was drawing while selling newspapers and invited him to his studio. The two other speakers that spoke at length also discussed individuals who took interest in them and helped guide their development. As I listened I wondered, do motivated "talented" individuals attract such attention and feed on it or is it a phenomenon that can be expanded and if so. Are we giving students the opportunities to forge such relationships that will lead them to new ideas new images of future selves?


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Excellence- Or it's ok to work with talented motivated students too!

The credit to this post goes to Jim Lewis a professor of Math and long time math educator. In a conversation yesterday he said (my memory so the responsibility here is mine) excellent educators I work with are reluctant to focus on working with high achieving students, it only counts when you help struggling students. The question is whether our focus on clsing the gap s leading us to neglect our most talented students. We sometimes assume that those are also motivated and understand their own strengths. Do we have art classes for advanced students, those who may with some support become adults who are first and foremost artists: dancers, musicians, authors, actors, painters etc.



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The Question

A colleague challenged me today. How do you know hat student learning is increased using technology. The context is our discussion about mandating technology in our pre-service teacher ed program. It is a common question that in my struggle to answer at that moment had a hard time calrifying.
Like art technology is NOT just a handmaiden to other learning. Technology at this point is to me like the arts, it is part of the fabric of our lives, not an add on. We cannot afford to teach kids in schools without art and without technology. The world is looking to us as an example of nurturing creativity while we move away from it under the guise of BACK TO BASICS. The problem is we are asking the wrong questions- the goal is not just to improve old ways of knowing- include new ones.
Written during a faculty meeting, the ultimate proof that they are not totally useless...

A World without Textbooks- Lessons from the Art-room

I have been contemplating the idea of no textbooks for a while. Part of it stems from the onslaught of new editions in higher education. At this point major textbooks are reissued on an annual basis- changed so you cannot easily integrate the previous edition easily. I do not blame the publishers, it is their business and they are trying to stay ahead.
The issue in K-12 is a little different since schools purchase the books directly- again a lucrative market to capture.
When you walk into an art-room the teacher does not use a textbook. Instead she uses the materials of art itself. Side note: Schools often complain about the cost in art supplies but never balance it out with not buying textbooks. What the art teacher has figured out is that in some cases it is better to do the learning than to read all about it. At that point of course we must recognize that not ALL school topics can be covered that way. Still I would argue that much of science, math, art, music, can be done without a textbook. I am not saying that we can teach science only hands-on from experience, instead I argue that we can combine with other non-textbook resources to the same or even better effect.
In many of the other topics digital resources or authentic resources can be found. For example: we can teach much about the civil war from a Ken Burns episode, and museum resources available online.
In higher ed textbooks are a great way to reduce the load on the teacher- the sequence is there the main points, the PowerPoint presentations and quizzes. It is the first step in "teacher proofing" your curriculum.
For me in teacher education I find that whenever I use a textbook I am patently unhappy about it, since it is someone elses idea of what should be taught at what sequence and with what emphases. I find myself spending quite some time ignoring the text re-emphasizing points that are lost or correct what I consider mistakes. In short, even the best textbooks I find are "not just right". This summer I taught a few classes all of which avoided using the classic "textbook" instead I used professional materials- practical books for teachers that are resources for a professional while the pedagogic role of explaining theory, history, and big themes was left for me as an instructor. To that I added many Internet resources that are plentiful in the literacy field, video, podcasts, articles and voila: Textbook free courses.
I just want to close with the idea that I would like to teach without textbooks but NOT without reading or preparing for class. Textbooks are necessary sometimes in one format or another but their application has to be thoughtful. In k-12 schools using less textbooks would lead to great savings that can be turned around to professional development or much needed technology.

Making a difference

This week I visited the Avenue Scholars Foundation in Omaha. Jef Johnston their chief operating officer said something that resonated with me. Referring to recruiting diverse teachers he said (I am paraphrasing here): this problem is solvable, if it has not been solved yet it is because they don't really want to.

I found this approach to be very much inline with my feelings about many of the problems I encounter in teacher education.

At the heart of it it is a design problem- not the external shiny stuff but design in the full sense of the word- the way someone like Steve Jobs would use it:

In most people's vocabularies, design means veneer. It's interior decorating. It's the fabric of the curtains of the sofa. But to me, nothing could be further from the meaning of design. Design is the fundamental soul of a human-made creation that ends up expressing itself in successive outer layers of the product or service.

Steve Jobs

Visual Art and Reading Comprehension

In last weeks post I described a student who improved his writing using visual art representations and learning about the writing process through the drawing process. This time I'd like to describe the use of visual art as a reading comprehension scaffold. 

J.N. is a student who had a really hard time comprehending texts that were two grade levels below her biological age. Her decoding and fluency were adequate but when she tried to retell a story or answer comprehension question it was clear that she was not able to locate main idea. In fact in text retell she would often mention details sporadically with no connection or clear understanding of what the text was about. After a conversation with me J.N.'s tutor decided to use drawing after reading as a comprehension strategy.

After each chapter in the book J.N. was asked to choose a scene from the chapter. Here, the direction were aimed at creating a thought process that would lead J.N. to choose the key scene - the main idea. The tutor used modeling and scaffolded self-talk to promote this kind of thinking. Next J.N. was asked to draw the scene in as great a detail as possible. As she draw she explained her choices to her tutor and how they made sense based on her interpretation of the story. Finally J.N. wrote a summary based on her drawing. 

Within a few week J.N. acquired a deep understanding of locating main idea and supporting detail using the scaffold and metaphor of visual art decision making process. This strategy was extremely useful and J.N. ended up raising her comprehension level to grade level expectations by the end of the five week session. 

Visual Art with Struggling Readers and Writers

This summer I spent nine weeks in our reading center working with pre-service teachers who tutor struggling readers and writers. I love the work but what struck me was how effective visual art supports were.
One student A.S. was a student headed for second grade but having significant delays in achievement and some challenging behaviors to boot. The most challenge was getting A.S. To write. We were lucky to get more than a short sentence. I then suggested starting with a drawing. Now A.S. was more easily engaged, persisted, produced a picture, contributed significant oral language about the picture but still wrote very little. Finally we decided to insist on details during the art creation. In addition we modeled a questioning technique that exposed A.S. to ways of generating text. This time his writing filled a page and was full of detail and interest.
I truly belive that for young writers this link is foundamental and will help all writers do well- as we have seen in our work in Arts LINC.